Reviews

BOOK 1: REVIEWS


Click to download PDF review sheets from Media book reviews and New Zealand book reviews

Click to download PDF review sheets from Authors, Christian, Metal, and World contributors in the book

BOOK 2: REVIEWS

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BOOK REVIEW : May 11th 2011

Book Review by Lois Henderson (Velddrift, South Africa), Reviewer for BookPleasures.com

“THE SPIRITUAL SIGNIFICANCE OF MUSIC: BOOK 2”

“In Book 2 of The Spiritual Significance of Music, Justin St. Vincent brings you more of the musings of a wide range of artists on what spiritual benefits the making of, and listening to, music brings to them. St. Vincent allows the artists’ authentic voices to shine through, as he has edited what they have had to say with such a gentle hand that the veracity of their words comes across to the reader in a powerful, yet carefully managed, way. What is most amazing about The Spiritual Significance of Music series is that the editor does not allow his deep Christian convictions get in the way of his appreciation of others’ perspectives, no matter their faith or outlook on life. By arranging the interviews alphabetically, St. Vincent also does not impose his structure on those who are the subjects of this book, allowing his breadth of vision for the series to permeate through the texts.

The Spiritual Significance of Music allows you to pick and choose those interviews that you find most appealing, so that if you have a particular interest in gospel music, say, you can select those interviews conducted with Christian artists. Similarly, if you are interested in more than just the music of metal bands, but would like to find out how the members of such bands think, there are more than enough interviews to pique your interest. You could also surprise yourself by reading outside your conventional genre and be amazed by the similarities that you discover with those from whom you might previously have deliberately disassociated yourself.

All those who have contributed to the series by way of their willingness to be interviewed about their personal approach to, and appreciation of, music have clearly thought at some length about what music means to them. The depth of insight that is gained in this way is presented in the artists’ own words, with St. Vincent providing only a brief overview of each artist’s work as an appendix to the main text. In order to make the artists more accessible to the reader, each interview and biography is accompanied by a color photograph of those concerned.

The range of artists is wide, including healers, authors, scientists, motivational speakers, and more. St. Vincent is also clearly not gender biased, as he has what seems to be almost equal representation of both male and female music aficionados. The editor knows what he wishes to achieve with The Spiritual Significance of Music, and clearly manages to attain his end goals. The entire series is worth exploring for the invaluable insights that it provides into what musicians and music lovers think about the art that they perform and appreciate so avidly.”

BOOK 3: REVIEWS

eBook 3 Cover

BOOK REVIEW : May 11th 2011

Book Review by Lois Henderson (Velddrift, South Africa), Reviewer for BookPleasures.com

“THE SPIRITUAL SIGNIFICANCE OF MUSIC: BOOK 3”

“The latest in The Spiritual Significance of Music series, Book 3 is a compilation of interviews with musicians and music lovers from around the world. Grounded in St. Vincent’s vast knowledge of the intricacies of the music world, the interviews and short biographies of interviewees are as intriguing and spiritually uplifting as those contained in his previous two books in this series have been. For those who are, as yet, unfamiliar with his work, Justin St. Vincent is the Director and Founder of Xtreme Music, which is billed as being a company “where Music meets Spirituality.”

St. Vincent has a profound awareness that “many people who love music also have a spiritual hunger to learn more about the dynamic relationship between music and spirituality.” And who better to provide invaluable insights into such a relationship than those who create and record it, as well as others who work intimately with it on a daily basis? The wide range of artists whose voices resound through The Spiritual Significance of Music come from widely diverse backgrounds and were, at the time of the interviews, involved with numerous activities relating to music. All of them, however, have given considerable thought to the significance of music for not only themselves, but for the wider universe as well. Their photographic portraits that are presented together with their interviews reveal their stance towards life as a whole—one can see from the intensity of their gaze that they have travelled some distance in the journey towards self-discovery, a journey that has been influenced by music in the most intimate way.

The alphabetical arrangement of interviews by artist’s name allows for surprising juxtapositions that alert one to the openness and lack of bias exhibited by St. Vincent in compiling this work. The interview with a Professor of Applied Music at the University of Winchester, England precedes an interview with the member of a brutal death-metal band from Mexico City, Mexico; an interview with an author, musician, percussionist, teacher, and vocalist from Mali, West Africa precedes an interview with a singer-songwriter from Seattle, Washington. The rhetorical flow of certain musicians’ speech is contrasted with the relative terseness of others, whose music reflects the disjointed nature of life. Throughout all, though, flows the spirit of appreciation for what music does for the human soul and psyche.

St. Vincent brings the body of Book 3 to a close with a fitting Encore, in which he expresses his belief that the spiritual significance of music can “transcend communities, cultures, and creeds.” One would truly have to go far to find another series that so exemplifies such a truth.”

BOOK 1: Amazon Reviews


AMAZON.COM CUSTOMER REVIEW : September 2011

Book Review by Cathy DeWitt (Gainesville, Florida, United States)

“THE SPIRITUAL SIGNIFICANCE OF MUSIC : EDITED BY JUSTIN ST. VINCENT”

Pablo Casals once said, “Music must serve a purpose; it must be part of something larger than itself, a part of humanity.”

New Zealand’s Justin St. Vincent takes that theme and expounds on it.  In his fascinating book “The Spiritual Significance of Music”, he interviews international musicians, composers, and producers– from Don Campbell to Devo, from Gorgoroth to Ravi Shankar– capturing tidbits about their relationship with music and how it links them to their own spirituality.  Asking everyone the same question “What do you believe is the spiritual significance of music?” results in a diversity of answers that may surprise, delight, or confound you—but never bore you.

Here are some examples.

Author/Musician/Composer Don Campbell:  “I am music, most ancient of the arts. I am eternal, I am spirit.  Even before life began upon this earth, I was here—in the winds and the waves…the first trees and flowers and grasses…Even the deaf hear me if they but listen to the voices of their own souls.  I am the food of love.”

Pitchshifter’s J. S. Clayden:  “…Music is my comfort zone…As a companion, I find music to be flawless. It does not demand anything from me; it is not disappointed, jealous, …hurt…or mean…It can be uplifting, powerful, understanding…It is the perpetual puppy that is always happy to see me. It is my genie in a bottle.”

Saxophonist Gilles Laheurte: “It is through music that the soul can express itself best in the material world, much better than words, because music is a true universal language. Whether composed or improvised, music breathes, and brings out the inner invisible creative energy that makes us vibrate.”

Stryper’s Michael Sweet:  “The spiritual significance of music is very simple: God created all things, music being one of all things. God also blesses people with abilities and talents to create, produce and perform music…God can tear down walls and break the hardest of hearts through a beautiful melody and
a powerful lyric.”

The Fifth Dimension’s Florence Larue:  “Music is a gift from God.”

The author himself expresses one of my favorite views.  As a hospital musician, I have found the strongest healing power of music to be present only in whatever music has personal meaning to the patient. With this little book, through its many voices, St. Vincent shows that music is indeed subjective and personal. “Music in itself has no spiritual significance without people,” St. Vincent says, “because it is people who project significance onto sound. In this sense, the listener is empowered to create spiritual significance from their own personal experiences with music.”

St. Vincent invites us to consider, “What’s missing in m_s_c?  Music is completed by the letters U and I… It is you and I who hold the keys to the spiritual significance of music.”

Justin St. Vincent is the Director and Founder of Xtreme Music, where Music meets Spirituality; and is passionate about music from around the world. He also created the highly acclaimed website www.musicandspirituality.com

Cathy DeWitt has been the Musician in Residence for Shands Hospital and Director of Shands Arts in Medicine’s music program for more than fifteen years.


AMAZON.COM CUSTOMER REVIEW : August 1st 2011

Book Review by David Clavijo (Spain)

“EXCELLENT BOOK AND HIGHLY RECOMMENDED!”

“After reading the book THE SPIRITUAL SIGNIFICANCE OF MUSIC everyone understands the importance of music in everyday life of many musicians and composers, and especially the importance that music has because the music travels beyond the senses and creates in the listener a state difficult to explain according to the music he hears. Justin St. Vincent has done a great job compiling all the viewpoints of different artists in his book. I recommend this excellent book to all lovers of music and they want to find a broader meaning of music and spirituality. ”


AMAZON.COM CUSTOMER REVIEW : December 7th 2010

Book Review by Becks (New Zealand)

“INTERESTING”

“The Spiritual Significance of Music: One word comes to mind when I think of this book and that is “interesting”. It’s a book that engages the question about what “The Spiritual Significance of Music” is and gives the opinion from a variety of artists, both Christian and non-Christian I enjoyed the variance in reading what different peoples opinions were, and are now furthering pondering the question that this title asks. Fantastic coffee table conversation type book, look forward to seeing the next one!”


AMAZON.COM CUSTOMER REVIEW : October 18th 2010

Book Review by Andrew Killick (Tauranga, New Zealand)

“FASCINATING STUFF”

“Justin St. Vincent has pulled off a remarkable project here… “The Spiritual Significance of Music” is an utterly unique book. Full of insights about the ‘deeper’ impact of music from artists across a massive musical spectrum. Given the range of contributors, from ‘world music’ artists to metallers, I’m probably being overly demanding when I say I wish there was an even greater range of musical styles represented… personally I could hope for more electronic, hip-hop, jazz… and perhaps a slightly younger demographic in the contributors… those slight reservations are what reduce my overall rating from 5 stars to 4. Nonetheless, the book will fascinate anyone who senses that there is more to music than just tones and words. The main strength of the project is that Justin allows each contribution to stand on its own merits, he brings no value judgements of his own to the contributor’s opinions… a remarkably relaxed approach, and not often seen. The reader is left to consider the implications for themself, and the range of insights given are definitely food for thought that can potentially enhance your appreciation and involvement in music. Recommended.”


AMAZON.COM CUSTOMER REVIEW : October 6th 2010

Book Review by Vicki Landes (Saint Louis, Missouri, United States)

“ENLIGHTENING AND PASSIONATE!”

“Editor Justin St. Vincent compiles a fascinating array of answers to his thought-provoking question, “What do you believe is the spiritual significance of music?” Organized in an appropriately named book, “The Spiritual Significance of Music”, St. Vincent offers insight from various industry experts – from authors to performers and from Christian to mainstream and death metal.

“The Spiritual Significance of Music” is a profound collection of exclusive interviews which seek to enunciate the concept of music’s role in society and its significance in personal spirituality. St. Vincent asked his question to over a thousand individuals; over one hundred of these, such as Jefferson Starship, Devo, Daniel Bedingfield, Faith No More, and Petra, were utilized in the final version of his book. The interviews reflect a remarkable depth and appreciation and will have the reader contemplating their own views on the subject. St. Vincent also offers a short biography on each interviewee, including the genre they specialize in and a quick history of their work so the reader can fully understand from where this individual has developed their distinctive opinion.

“The Spiritual Significance of Music” is an eye-opening read for both the hobbyist and professional musician. As someone with a college degree in music, I found the interviews to be intelligent, insightful, and unique from one person to the next. Containing only a very small amount of grammatical errors – which can be expected when quoting another person – the book is otherwise very well edited and the cover has an enticing design. The only thing I saw that stuck out were the headings – some interviews have the band’s name in larger text with the interviewee’s name and title as subheadings while other interviews have the interviewee’s name as larger text and work or title as a subheading. Still others have the name of a project/non-profit organization in larger text and the name and position in that organization as a subheading. I would have preferred a more consistent approach to the headings, perhaps have the name of the interviewee as the main heading with the name of the band, organization, or project as a subheading. A minor issue and it does not take away from the overall effect of the book.

Editor Justin St. Vincent asks a deep question and offers a myriad of creative and comprehensive answers in his book, “The Spiritual Significance of Music”. Just as the term `music’ means something different to everyone, the concept of `spirituality’ further deepens the conversations. Enlightening and passionate!”


AMAZON.COM CUSTOMER REVIEW : July 21st 2010

Book Review by Jutta Inauen (Felsberg, Germany)

“EXCITING COLLECTION OF THOUGHTS”

“With THE SPIRITUAL SIGNIFICANCE OF MUSIC, Justin St. Vincent achieved something very special and unique: A collection of thoughts from artists and scientists with different cultural backgrounds and roots, from very different musical genres, all expressing their thoughts on one subject. It’s where doom-metal meets esoteric, where hard-rock meets sitar, but where the tenor of them all is going in one direction. On which side ever I open this book, I find an essay which is inspiring, which makes me think about my own approach to music, to song-writing, to practicing, but as well about my view on the musical preferences of my social environment.”


AMAZON.COM CUSTOMER REVIEW : July 12th 2010

Book Review by Terry York (Waco, Texas, United States)

“REVIEW OF THE SPIRITUAL SIGNIFICANCE OF MUSIC”

“If you want to see evidence of what might be described as the breadth of divine spiritual embrace, read THE SPIRITUAL SIGNIFICANCE OF MUSIC, but read first, beginning on page 164, Brief Biographies. Then turn back to page 1. A wide gamut is represented. Here is fair warning: Be prepared to have your preconceived boundaries stretched…stretched beyond our understanding, not God’s. See, in dynamic tension, pages 111 and 158/9. Justin St. Vincent, the book’s editor, functions more as orchestrator or conductor in this project. He has found the connecting motif in music and coaxes it to light, no matter how far it must travel for its commonality to be see.”


AMAZON.COM CUSTOMER REVIEW : July 1st 2010

Book Review by Peter Davison (Los Angeles, California, United States)

“A GREAT COLLECTION OF THOUGHTS ON MUSIC”

“Justin St. Vincent has gathered some of the leading lights in world spiritual music for his deeply thoughtful book THE SPIRITUAL SIGNIFICANCE OF MUSIC. This is a wonderful collection of heartfelt descriptions of the spiritual and personal meaning of music by foremost composers, musicians, and writers on music and spirituality. Here we find inspiring words by some our most inspiring people in music. As I read, I find myself truly linked with other musicians and those who live in the healing power of music. Ideal for an expanded concept of what to listen for in music and continued creativity in life.”


AMAZON.COM CUSTOMER REVIEW : June 25th 2010

Book Review by Bumblefoot (New Brunswick, New Jersey, United States)

“THANK YOU FOR THE UPLIFTING BOOK !”

“THE SPIRITUAL SIGNIFICANCE OF MUSIC is the kind of book that’s good for everyone. Whether your relationship with music is as a music maker or an avid listener, open to any page and there’s something that will inspire you. The words are grounding and stabilizing, uplifting and enlightening, and carry a message that can be applied to anything in life, not just music. It’s a great pleasure to be part of this book, and I thank Justin St. Vincent for inviting me to join this diverse and talented group of contributors all sharing their stories, points of view, and a piece of themselves.”


AMAZON.COM CUSTOMER REVIEW : May 10th 2010

Book Review by Irene Watson (Austin, Texas, United States)

“INSPIRATIONAL”

“When I asked for this book to review I thought it was something else so you can imagine my surprise when I received it. My first impression was “Wow, this is great!” And, needless to say I kept saying this throughout the book. I loved reading the narratives from well known musicians and to realize how in touch with spirituality they are. One of my favorite composers and violinist is Daniel Kobialka. I am inspired when he says “Music and spirituality, if allowed, can provide a gentle guide through life, with its movement, flow, and endless cadence to a seeking of truth.” And Craig Chaquico, former lead guitarist from Jefferson Starship says “It’s invisible but can fill the room and inspire the heart.” How true is that! Ron”Bumblefoot” Thal, guitarist with Guns and Roses says “Sound is the Almighty voice, music is the language.” Justin St. Vincent interviewed over thousand people but zeroed in on 100 of the best in order to compile this anthology. I commend him for the time and effort put into the project in order to give us, the readers, a glimpse into the musicians’ inner thoughts. I am personally inspired.”


AMAZON.COM CUSTOMER REVIEW : May 9th 2010

Book Review by Midwest Book Review (Oregon, Wisconsin, United States)

“A TOP PICK FOR ANY MUSICAL STUDIES COLLECTION”

“Faith and spirituality reside in all music, not just music that is religiously oriented. “The Spiritual Significance of Music” interviews bands of various walks of life and genre, from the classical driven artists like Petra, to the offbeat music of Devo, to the shock rock death metal rockers of Cannibal Corpse to the work of DJ Ultra Nate, all music has a spiritual passion behind it, and these individuals explain how it comes into play. “The Spiritual Significance of Music” is a thought provoking and intriguing piece of work, a top pick for any musical studies collection.”


AMAZON.COM CUSTOMER REVIEW : May 4th 2010

Book Review by Kathy Parsons (Florence, Oregon, United States)

“FROM MAINLYPIANO”

“I wasn’t sure of what to expect from “The Spiritual Significance of Music” when I was asked to review it. I knew it was a collection of essays by a group of musicians and artists, and assumed that most of those essays would be by artists under the broad spectrum of the “new age” music genre. I was very pleasantly surprised to find that the artists whose writings are included come from a wide range of musical genres and that they are based in places all over the world. Some of the essays come from the authors of books about music, so it’s an amazing collection! There are 102 essays, including editor Justin St. Vincent’s concluding comments, and most are about a half page in length – several are two or three pages. I have to admit that I didn’t recognize many of the names, but I read each essay with interest because there were so many different viewpoints, ranging from music being a direct gift from God to music having absolutely no spiritual significance at all, and everything in between. Several Christian rock and metal bands are included, but there are also Satanists and death metal bands whose contributions are every bit as passionate as the more traditional religious bands. There are a few pop, world, and new age artists as well, so the current music world has a strong representation.The jazz and classical genres don’t have much of a showing, but perhaps that will be another volume – or not! I commend St. Vincent for gathering the thoughts of such a variety of people with such a variety of opinions about the subject. The last 45 or so pages present short bios of the contributors, including discographies and websites, so readers can follow up on the artists they find interesting. I found the whole book to be excellent and inspiring to read. Recommended!”


AMAZON.COM CUSTOMER REVIEW : April 27th 2010

Book Review by Gary Young (Upper Marlboro, Maryland, United States)

“EXCELLENT READ”

“The book is put together very well and I like the way the author lets it breath by letting the question and it’s various interpretations flow. a few of the artists in there that I never considered myself a “fan” of had some insight that totally blew me away and I came away with a new perspective. and it also is presented in a way that you can open it up and begin to read anywhere. Good job and a very enjoyable read. you’ll read it more than once.”


AMAZON.COM CUSTOMER REVIEW : April 26th 2010

Book Review by Don Slepian (East Stroudsburg, Pennsylvania, United States)

“MUSICIANS AND THOSE WHO LOVE THEM”

“Other reviewers here have spoken at length about the language of spirituality and how it relates to the spiritual significance of music. For me this book is a wonderful tour of contemporary musicians, ranging from New Age spiritualists to Gospel, Country, DJ’s, Death Metal, Christian Worship bands, they are all here. Not only do you see the variety of their answers, you also can explore each musician and their accomplishments in their brief biographies.

I enjoy people watching in the Mall. This is like a Mall with 100 musicians all slowly walking by, each giving you a glimpse of their personality and beliefs and inviting you to further explore their world through the connections to their websites. In this aspect I see the Spiritual Significance of Music reflected in the lives and philosophies of the musicians themselves.

For anyone who lives with, works with, or plays with musicians this book can provide many happy hours of visiting musicians you haven’t met through a series of thoughtful, heartfelt and significant conversations. Mr. St. Vincent has acted as a curator, sorting through a thousand interviews to pick the 100 best. He does not interpret, judge, or comment on the interviews, he lets the musicians speak for themselves. The book stands on this virtue.”


AMAZON.COM CUSTOMER REVIEW : April 25th 2010

Book Review by James & Marty Clayton Banfield (Bamberg, South Carolina, United States)

“A BOOK FOR ALL MUSIC LOVERS”

“All music lovers’s will want a copy of Justin St. Vincent’s book, “The Spiritual Significance of Music,” a book in which multitalented music artists are spotlighted and share “from the heart” what music TRULY means to them. After reading this book, you will have a greater understanding as to why music is called “the universal language.” Mr. St. Vincent has our congratulations in giving a gift such as this to the world of music, & in putting together this well written and highly presentable book. Everyone who loves music should have a copy!”


AMAZON.COM CUSTOMER REVIEW : April 12th 2010

Book Review by Pascal Gillon (Dole, France)

“A FOR AWE-INSPIRING…”

“If you ever wondered or questioned the power of music, in whatever form it may be expressed,this is the book to read: it will awe-inspire you. It underlines in a fabulous and no less than a fair way,the beauty and power of it. In this world where things can quickly become stressful or too fast for many, music re balances our souls and makes us endure what life throws at us as challenges.

The Spiritual Significance of Music is not only a powerful tool which reminds you to slow down and smell the roses but is an incredible and witty way to understand how music is an integral part of the human race’s personality and entity. The great intelligent way the book is written is certainly presented by the many facets of the musicians been interviewed which does permeate your mind with positive vibes and an optimist outlook of life.

In this book Justin St. Vincent is the conductor of this amazing orchestra of life colored by music. If you want to invest money in something that will change your life for the better style wise as a holistic tool,then buy The Spiritual Significance of Music. It will be the best thing you can do not only for a “jolly good yarn”,but as much for appreciating life in a better light from then on!”


AMAZON.COM CUSTOMER REVIEW : April 6th 2010

Book Review by Heather Frahn (Adelaide, Australia)

“A BOOK TO UNITE PEOPLE THROUGH MUSIC”

“The Spiritual Significance of Music is an important book if you are at all interested in how music effects world peace, social unification or the evolution of human consciousness. This book shows how artists from around the world acknowedge the importantance music is as a creative medium to connect people together, and also connect us to ourselves and our spirituality. An insightful look into the intimate thoughts from music artists and philosophers. Highly recommended if you’re interested in the Positive Music or Conscious Music Movements.”


AMAZON.COM CUSTOMER REVIEW : April 5th 2010

Book Review by Adam Atkinson (Alberta, Canada)

“VERY INTERESTING AND THOUGHT PROVOKING”

“My wife and I read this book and loved the different views that were expressed by the different artists. Music and spirituality are both hot topics right now and this book begins a wonderful discussion on their connection. I would recommend this book for music lovers or for people interested in diverse spirituality!”


AMAZON.COM CUSTOMER REVIEW : March 31st 2010

Book Review by Matthew Welsh (Indianapolis, Indiana, United States)

“TAKES YOU INSIDE THE HEARTS AND MINDS OF MUSICIANS”

“The Spiritual Significance of Music is a collection of exclusive interviews with many of the world’s most visionary musicians and writers. Edited by Justin St. Vincent, it is a unique anthology that explores the dynamic relationship between music and spirituality. For example, in an interview with Ron Thal from Guns N’ Roses, Ron writes, “A good amount of songs I’ve written came about by taking whatever was weighing heavy on my chest and letting it in, facing it, and returning it to the world as something positive, a way to help make sense of it all.” The Spiritual Significance of Music takes you into the hearts and minds of well known musicians and lets you know how the music they make relates to their own personal spirituality.”


AMAZON.COM CUSTOMER REVIEW : March 21st 2010

Book Review by Luke Oram (Auckland, New Zealand)

“THE GRAND OLD CATCH 22 – THE SPIRITUAL SIGNIFICANCE OF MUSIC”

“The spiritual significance of music is a subject so deep and full of subjective sinkholes it would require a book.” – Gerald Casale, Devo

“Dialogue” has become one of our century’s biggest buzz-words. The corporates have stolen it for their keystones and politicians have started using it in lieu of human shields. Philosophically speaking though, getting Socratic’s always been a good way of chipping away at the fundamentals. If it’s mankind’s prerogative to explore the unknown, then a good round of circular questioning is the best place to start. The concept behind The Spiritual Significance of Music is simple enough; an array of artists, musicians and professionals brought together to provide commentary on the question “What do you believe is the spiritual significance of music?” Most of them have at it. Anyone who has had experience with a musician or creative will know that they have opinions in spades – a good thing, considering they are some of the world’s foremost voices.

One of editor Justin St. Vincent’s masterstrokes was in taking steps to avoid TSSOM being some kind of one-sided homily from the Christian Music Scene. To this end, the artists interviewed are from a wide spectrum of believers, atheists and cynics, with a few Satanists thrown in for good measure. The leading question too, is deceptively brilliant. St. Vincent gets no objections for leading the witness. It’s genius in it’s vagueness; there’s no mention of God, instead leaving the subject to come to their own conclusions on the meaning of spirituality itself, and introducing the question within a question. Many of the artists start there. “First of all, what is spirituality?” asks Sander Gommans of After Forever, waxing Socratic. The views of the artists are fascinating in their diversity; some discount the term in favour of a Powerful Emotional Response, others give names; whether that name be God, Allah, Yahweh, Satan, or some kind of universal force, “something substantial in the universe”. The honourable Ravi Shankar makes mention of “The highest mental orgasm”, which is a poetry all in itself.

As far as the link between spirit and music, the dialogue descends further into the rabbit-hole. Which is not surprising since explaining a tangible link between the invisible realm and the tangible has been keeping church and science at odds for centuries. Perhaps trying to find a link between the spirit and the song is an equally difficult endeavour. The artists are a real banquet on this one. A surprising amount of them head for the realm of science as their first port of call; Daniel Beddingfield refers to the sound of the “Deep hum behind reality…particle and wave…the excitement of electrons”, singer-songwriter Victor Crowl pays tribute to the “energy between the notes”, while composer Peter Davison brings the big bang into play. Industrial dance producer J.S Clayden’s piece is full of humanist and meta-physical argument and is a fascinating essay in leftfield. Of course, there is plenty of standard Protestant argument when it comes to God and music – “Music was created by God, as was every instrument to be used to bring Him glory” says Sonic Flood’s Rick Heil.

Again, St. Vincent’s great masterstroke is at show here. The book is treated with great objectivity; every opinion gets its own weighting, and the reader is left with a challenging depth of opinion, without any kind of overarching proselytism. It seems that for every religious view, there is an equal and opposite view – Michael IX Williams is left to assert his view that spirituality is a completely subjective concept; comparing a group of religious fanatics to a group of Dinosaur Jr fans squabbling over J. Mascis lyrics. One thing that becomes clear within TSSOM is the chasm between the language used by the overtly Christian artists and the others. A fascinating subtext in this whole book is the fact that the contributors without a clearly stated or defined religion seem to tackle the aspects of spirituality and music with a much wider lens – without any pre-conceived notions or definitions, they are willing to tackle the thing with wider arms than Christians. The Christian artists seem to be bound by a form of their own language, where `spirituality’ becomes `God’, `spiritual music’ becomes `Worship’. They argue over semantics (Petra’s John Schlitt – “I don’t believe there is spiritual significance in music, but I do believe music is a powerful tool for a spiritual end”)

To a certain extent, this makes their view come off as a little narrow. As a person with spiritual beliefs myself, I stop short of advocating some kind of universalism , but I definitely think that our language needs to change when we’re exploring a matter so wide and expansive, otherwise we miss out on a powerful opportunity to grow our outlook. As the apostle Paul said to the Athenians, there’s a lot to be said for communicating our views in the language of a wider world. The dialogue within TSSOM is important. Because spirituality is a wide and often intangible thing. It encompasses dark and light, good and evil. It’s not so much an explanation of the divine as our experience to it, and our reaction to it. It’s a matter that was meant to conjure mystery, elude classification and for eternity. And like the rabbi says, it’s a fool who thinks he can figure out the eternal mystery.


AMAZON.COM CUSTOMER REVIEW : March 17th 2010

Book Review by Michelle Malsbury (Punta Gorda, Florida, United States)

“THE SPIRITUAL SIGNIFICANCE OF MUSIC”

Justin St. Vincent, editor for The Spiritual Significance of Music, is founder and director of Xtreme Music. He is a native of New Zealand and has lived in the UK, Hong Kong, and North America. (2010, p.213) New Zealand is now is choice of residence. For more information about Mr. St. Vincent please visit his web site. While most when queried about the connection between music and spirituality might come back with something entirely religious the various people that Mr. St. Vincent has invited to participate in this book range from total religious experiences in creating, listening, or playing, music to more subtle and less concrete versions of the connection that one might get from music itself. The pool of experts he questions on this topic is vast and multidimensional in breadth of life/vocational experiences across this mystical musical industry.

Some of the more memorable excerpts, to me, are listed below: From guitarist/vocalist Sander Gommans from After Forever “The lyrics…do handle something bigger than ourselves: a force we cannot explain.” (2010, p.6) Music therapist Kenneth Aigen says (p.7) “The creation of groove is a spiritual discipline because it requires focus and abandonment, body and mind, unison and variation, intention and surrender.” Gonzo Sandoval, percussionist for Armored Saint, says that “We allow listeners to peek into our very soul.” (p.13) Percussionist, Cyro Baptista writes that ” …it takes a lot of courage to make music from your heart, certainly more courage than getting a gun to make war.” (p.22) Rand Bishop, author, defines that connection as “Nimble fingers, dexterous lips, powerful diaphragms, and sonorous throats give wings and fuel to music’s flight.” (p.29)

Those above are but a few of the quotes that stick out in my mind as defining the spirituality of music as asked by Justin St. Vincent in this book. Common threads that can be read across the people who participated in this book are that music can take the listener, musician, or writer to places where words cannot completely express: moving us to spiritual heights unlike anything else we are able to feel as humans: it is subjective in nature and resonates with each person differently. Many participants also say that music has the ability to change moods or actions across the entire socio-emotional spectrum. Music can evoke love and hate, depression and elation, religious and/or atheist like no other art form. Gerald Casale, bassist, vocalist, and co-founder for Devo said that “True spirituality seeks to re-unite a thread that connects all of us to the rest of life and, thus, brings us together.” (p.52) Peijman Kouretchian, drummer for Girth, said that “Music…is an instantaneous sensory….decoding of spirit.” (p.77) Kouretchian also adds that the more pure [paraphrase] the artist the more powerful the music.

The pages of this book are filled with opinions and thoughts on the topic of spirituality and music, but few can touch what Wendy Bartlett, director of Healing with Harmony, said “Maybe Heaven is not a place at all, but rather a feeling that awakens our Spirit because for that moment in time we are touched by music, we are one with our Maker.” (2010, p.86) Thank you Justin St. Vincent for editing these many excerpts and combining them into a cohesive format for a thought provoking and insightful reading.


AMAZON.COM CUSTOMER REVIEW : March 10th 2010

Book Review by Julianna d’Fae “Kiwi Firefly” (Christchurch, New Zealand)

“SPIRITUALITY HAS MANY MEANINGS…”

“When I first agreed to review this, I had no idea what I was getting myself into – I thought that ‘spirituality’ might be a code word for Christianity and that I would be reading about gospel music or something. I was excited to find that ‘spirituality’ was defined in each interview as whatever it meant to that artist. For some, it was a communion with god, but for others, it was more obscure, a feeling of connectedness with other people or a direct line to emotion.

One of the ideas I really liked was that the space between the notes was just as important as the notes themselves. When I began listening to music for the spaces, I realized it was true. The difference for me between great music and just good is where they let you breathe – if they do at all. I love that music is a universal language that touches people on an emotional level, rather than an intellectual one. I have never met a person that doesn’t like music itself (though obviously everyone has their own brand).

Reading The Spiritual Significance of Music is not like reading a novel. Each page is a new person, offering their little piece of wisdom about what music means to them. These perspectives open conversation, especially in a musically oriented family like mine. It’s the sort of book that makes you suddenly think of four or five friends who really should read this (I have two lined up already). It’s the sort of book that really should be a documentary like ‘The Secret’ or ‘What the Bleep’ because that way, you could listen to the music and hear the people speak, and I think it would be a moving experience. A great book to buy, gift or pass around. A conversation that intigues me… after all, what is so special about music?”


AMAZON.COM CUSTOMER REVIEW : February 21st 2010

Book Review by Lois Henderson (Velddrift, South Africa), Reviewer for BookPleasures.com

“A PAEAN TO THE SPIRITUAL SIGNIFICANCE OF MUSIC”

“Not an esoteric text that is accessible only to the enlightened, this paean to the spiritual significance of music is written in such a way that you might easily think that you are reading a series of articles from Rolling Stone Magazine. This collection of interviews with both music-makers and writers from around the world is aimed at finding their answer to the question: `What do you believe is the spiritual significance of music?’ This intimate and, at times, deeply profound study of individual beliefs about the interconnection between spirituality and music is presented verbatim in the words of each artist him/herself, without the inclusion of any questions that the editor might have addressed to the interviewees concerned and without the addition of editorial comment. Such a presentation allows the pure and authentic voice of the musician or author to emerge in all cases.

The unbiased reportage allows for the juxtaposing of interviews with adherents to the more traditional faiths, such as Christianity and Hinduism, with others with those who adhere to more alternative practices, such as Satanism. The wide range of beliefs that is reflected in these pages also encompasses agnosticism and the spiritual questioning of such musicians as Michael IX Williams. Covering such subthemes as the anthropological, cultural and historical roots of music, as well as its therapeutic and universal appeal to the emotions, The Spiritual Significance of Music should be of interest to a wide range of music-lovers. By arranging the entries alphabetically, according either to the names of the artists, or to the names of the groups or bands to which they belong, Justin St. Vincent is able to express his lack of bias towards the musicians concerned. The reader is, accordingly, free to respond to what each of the interviewees has to say on a personal level. The work ends with brief overviews of the main work of each of the musicians and authors involved, including their web site addresses, the details of when and where each interview took place, and the names and web site addresses of the photographer concerned.

As an indexer, I would have loved to have seen an index broadly split up into pertinent categories, expressing the major concerns of each of the musicians and writers. However, at the moment one may choose either to read the interviews conducted with those artists who have made the deepest impression on one’s life, or take pot luck and start reading at any point in the text (you might be pleasantly surprised by the serendipitous findings that you make). Of course, there are also the black-and-white photographs of each artist interviewed, so that if you are particularly interested in female music and writings, for instance, you might choose to read all those interviews conducted with women. However, no matter how you choose to read this text, you are bound to learn more about the main theme: the spiritual significance of music, as personally experienced by more than one hundred contributors, many of whom are extremely well known.”

CONTRIBUTORS REVIEWS

“First of all, I’d like to say I am honored to be a part of this book Justin St. Vincent put together, it offers refreshing insights on music! Since I’m a musician in the Metal scene, it’s interesting to me how Metal musicians think about spirituality, since many of the lyrics are often based on that, whether it’s about religion or faith in something else than yourself. I think this book offers a different view on Metal music, especially an unexpected one. Reading this book makes music even more interesting, your listening experience will never be the same again!”
– Sander Gommans, guitarist and vocalist in After Forever

“As I read and re-read my copy of THE SPIRITUAL SIGNIFICANCE OF MUSIC, I am constantly reminded, as are all my friends who read this important book, why music means so much to every living soul on earth. In an age of fake spiritualists of all genres, it is refreshing to read a book that is concerned with sharing and enlightening, and which goes for the GOLD, not the gelt! Each of the contributors for this fascinating new book have their own song to sing and their own story to tell, and reading what they have written reminds me of why I chose the long road of music as my journey in life, and why music is so important as a force for healing in the world. As I approach 80, I find kids still in their teens who enjoy the book as much as I do. As long as sincere music from the heart which is built to last is with us, this valuable  document of the thoughts of those who create it will have a shelf life as well. And that means that the book will be here for a LONG TIME! It is a book for all time, NOT a one hit wonder! Thank you Justin St. Vincent and all those who were involved in sharing their thoughts which add something positive and of enduring value to the World. Share this book with your family and friends.”
– David Amram, author of “Upbeat: Nine Lives Of A Musical Cat”

“There has long been a need to focus on the new wave of spirituality emerging in the musical world. In this book, Justin has allowed many of the leaders of this new awareness to speak their piece giving insights into an unheralded yet important phenomenon. “THE SPIRITUAL SIGNIFICANCE OF MUSIC” is an invaluable asset for those looking to gain understanding of an important trend of these times.”
– Antion, Hawaiian chant musician and vocalist

“As I opened the book it was a feeling of newness that came to me. I felt like a little boy who was about to experience his first Spiritual awakening. Then I began to read and realized what an important and powerful book this is. “THE SPIRITUAL SIGNIFICANCE OF MUSIC” addresses that which some would like to dismiss and believe that they created all by there own capabilities. Think again… Lady Music was always by your side. Enjoy the discovery!”
– Gonzo Sandoval, drummer in Armored Saint

“THE SPIRITUAL SIGNIFICANCE OF MUSIC is an invitation to explore ourselves
as human beings, at a significant time of change and transition, in the world of the 21st Century. Justin St. Vincent masterfully integrates and presents a compilation of the words and insights from the experience and journeys of artists and writers, whose vocation is to feed and replenish our heart and soul, with the international language of emotion – music. This book contains a refreshing depth of spirit and reminds us in our search for a meaningful life that we must learn to listen to the music within, in our attempt to create meaningful connections with life and others.”
– Kevin Asbjörnson, contemporary pianist and keynote speaker

“With over 6 billion people on earth, there are over 6 billion perspectives of spirituality. Narrow these perspectives down to a select few who create music and the vision takes on a finer texture; a harmonic quality if you will. From the conceptual to the personal, THE SPIRITUAL SIGNIFICANCE OF MUSIC is a literary work of art that introduces the reader to the deep connection between the amorphous nature of spirituality contrasted with the tangible feelings music creates in the hearts of those who live it. Deeply insightful and filled with a contrast that only human diversity can inspire, this book is sure to reveal a new way of connecting God with the ever-creative soul within every person; musical creator and musical listener alike. Bravo to Justin St. Vincent for this worthy collection of essays and interviews.”
– Robert Anthony Aviles, 7-string electric violinist

“I love THE SPIRITUAL SIGNIFICANCE OF MUSIC because it shows what professional musicians and songwriters thought about music and spirituality. Spirituality is the only truly important thing in life and music is a powerful doorway into the mysterious and holy things of our universe. Everyone who considers themselves a musician will enjoy this book, regardless of their spiritual stance.”
– Seth Hecox, guitarist and keyboards in Becoming The Archetype

“Writing about music is tricky enough in and of itself. To define how music and spirit relate and unite is nigh on impossible. The contributors to Justin St. Vincent’s bold THE SPIRITUAL SIGNIFICANCE OF MUSIC actually dare to delve into this unsolvable mystery. While words on a page could never truly replicate the divinity of its creation, its emotional impact, or how it connects us to each other and to our spiritual essence, these brief, articulate essays shed new and brighter light on what has been, since our species first walked upright, an absolutely essential part of human experience – music.”
– Rand Bishop, author of “Makin’ Stuff Up: Secrets Of Songcraft and Survival In The Music-Biz”

“This great book shows that many musicians have a deep connection to spirituality. Music helps us to reconnect with our deeper sense of life. Justin St. Vincent succeeded in inviting visionary musicians to speak freely about their relationship to spirituality and music. We need more of this in a world which is focussed  mainly on materialistic things, on money and banal subjects.”
– Wolfgang Bossinger, author of “The Healing Power Of Singing”

“THE SPIRITUAL SIGNIFICANCE OF MUSIC is one of the most exciting concepts put together. It fusions the different ideas from all walks of people engulfed in the same purpose, feeling their soul through music. It’s amazing to read so many opinions from musicians and producers with such varied styles of music being connected in the same thoughts. Justin St. Vincent’s hard work has given us a chance of studying a concept in our modern world which has been with us since ancient times, THE SPIRITUAL SIGNIFICANCE OF MUSIC.”
– Danny Felice, guitarist, mandolin player, and vocalist in Breed 77

“After reading the book THE SPIRITUAL SIGNIFICANCE OF MUSIC everyone understands the importance of music in everyday life of many musicians and composers, and especially the importance that music has because the music travels beyond the senses and creates in the listener a state difficult to explain according to the music he hears. Justin St. Vincent has done a great job compiling all the viewpoints of different artists in his book. I recommend this excellent book to all lovers of music and they want to find a broader meaning of music and spirituality.”
– David Clavijo, composer and guitarist

“The eclectic essays collected in Justin St. Vincent’s THE SPIRITUAL SIGNIFICANCE OF MUSIC reveal that there are at least as many pathways to spirit as there are genres of music, and that no one form of service to the Muse is any more or less vital or valid than another. This fast-paced yet long-lasting book will resonate in the reader’s mind like a freshly-voiced chord played on a well-tuned instrument.”
– Will Clipman, artist, percussionist, and poet

“It is not often that musicians are asked to reveal their thoughts about THE SPIRITUAL SIGNIFICANCE OF MUSIC. So it is a brilliant idea of the editor Justin St. Vincent to elicit from musicians of such diverse backgrounds and styles just that. The power of these writings is how much common spiritual ground there is amongst the authors. From such a book could be constructed a whole philosophy of music. From the field of sound therapy are Don Campbell, Jonathan Goldman, John Beaulieu, Chloë Goodchild, and Sharry Edwards; they provide deep and inspiring views of how music is a healing force in the world. Most unexpected and welcomed are the musings of the many rock musicians represented. This volume will become an important reference work for all those who sense the power of music to transform their lives and have not had the vocabulary to express these feelings.”
– Dr. James D’Angelo, author of “The Healing Power Of The Human Voice: Mantras, Chants, and Seed Sounds For Health And Harmony”

“Justin St. Vincent has gathered some of the leading lights in world spiritual music for his deeply thoughtful book THE SPIRITUAL SIGNIFICANCE OF MUSIC. This is a wonderful collection of heartfelt descriptions of the spiritual and personal meaning of music by foremost composers, musicians, and writers on music and spirituality. Here we find inspiring words by some our most inspiring people in music. As I read, I find myself truly linked with other musicians and those who live in the healing power of music. Ideal for an expanded concept of what to listen for in music and continued creativity in life.”
– Peter Davison, composer, musician, and producer

“I was pleasantly surprised to open up the book and see contributions by such a wide variety of people with such varying opinions on the subject of spirituality in music. It’s definitely insightful, reading opinions that span from a “spirituality is everything” to “spirituality is nothing” standpoint. I think this topic, although thoroughly covered poetically in song, is often brushed over when candidly addressed, so it’s really cool to hear what people really think about THE SPIRITUAL SIGNIFICANCE OF MUSIC.”
– Ryan Clark, vocalist in Demon Hunter

“The blood, sweat and soul that Justin put into THE SPIRITUAL SIGNIFICANCE
OF MUSIC is astonishing with an extraordinary result. His efforts have produced an inspired work of art that will reside in libraries and reference repository for decades to come. I’m very thankful for his patience, his tenacity, his vision, his sense of art and history as this publication came together because it is now known worldwide. I’m honored to be included in this incredibly visionary landscape that profiles a great many of the most talented and profound thinkers in the arena of sound and music. Justin has brought to consciousness what music and spirit means to the human race.”
– Sharry Edwards, Founder and Pioneer of Human BioAcoustics

“In his book THE SPIRITUAL SIGNIFICANCE OF MUSIC, Justin St. Vincent has
not only put together a comprehensive compilation of the varied spiritual ideas and points of view from a multitude of many different musicians, he has brought together a community of sorts that are willing to seek out and discover all available feelings of honesty and forms of introspection applying to the magick and beauty of music. The amazing thing about these essays is the sheer spectrum of opposite tastes and the diverse genres that are displayed from page to page; Christian, Metal, Reggae, Punk, Techno, Hip-Hop et al. From religion to personal politics and everything inbetween, it’s all here. This is a must have collection for anyone interested in the countless and assorted evaluations of musicians and their opinions of spirituality in music and sonic universality. It comes highly recommended.”
– Michael IX Williams, vocalist in EYEHATEGOD

“THE SPIRITUAL SIGNIFICANCE OF MUSIC is the kind of book that’s good for
everyone. Whether your relationship with music is as a music maker or an avid listener, open to any page and there’s something that will inspire you. The words are grounding and stabilizing, uplifting and enlightening, and carry a message that can be applied to anything in life, not just music. It’s a great pleasure to be part of this book, and I thank Justin St. Vincent for inviting me to join this diverse and talented group of contributors all sharing their stories, points of view, and a piece of themselves.”
– Ron “Bumblefoot” Thal, guitarist in Guns N’ Roses

“Having read through THE SPIRITUAL SIGNIFICANCE OF MUSIC, I felt both mind-boggled by the perplexity of views and yet in touch with each and every contributor. It’s a glorious ride and also a rather healthy exercise in conceptual
thinking to align your mind with so many diverse impressions. If variety is the spice of life, then this book would be considered gourmet vindaloo. Rarely has a topic of such paramount importance been so extensively researched, it’s a treasure trove for the culture vulture as much as for the cross-cultural psychologist. Most of all, many people get to share a lot of love through the reading and writing of these pages.”
– Lenny Ibizarre, DJ and music producer

“THE SPIRITUAL SIGNIFICANCE OF MUSIC is true to its name in every since of the word. Within you will find a vast wealth of information from musicians with the full spectrum of spiritual influences. It is great to read some wise words that all music-lovers will love. I am reminded when reading the book about the spiritual force of music in the world today. Music Lives!”
– Joseph Israel, reggae musician and vocalist

“I found it an honor to be asked to give some of my own personal feelings about music and spirituality, and then see them added in such an inspiring book along with a rainbow of fine artists. Being a musician and hearing stories from other musicians I already enjoy, and some I just got turned on to after reading the book, I’m intrigued by the light they can all shine on the same subject from their own perspective. I found that there were some surprises and also many similarities from very different styles of music. Yet it seems there is still a “harmony” and “spirit” we all can share with each other and our listeners when we all add together our parts to “the giant symphony in the sky”.”
– Craig Chaquico, former lead guitarist in Jefferson Starship

“Justin St. Vincent, in his new book THE SPIRITUAL SIGNIFICANCE OF MUSIC,
explores the magic of music and its universal appeal and power. He has compiled interviews from an eclectic group of musicians from around the world, both religious and non-religious, who all answer the question “What do you believe is the spiritual significance of music?” Justin St. Vincent has done a fine job collecting perspectives from such a varied group of musicians, from musicians like Ravi Shankar and Michael Franti, to musicologists like Don Campbell. An interesting read on a valuable subject, the book illuminates the universal nature of music and how important it is to our spiritual, emotional, and even our physical selves.”
– Scott Johnson, Executive Director of the Positive Music Association

“THE SPIRITUAL SIGNIFICANCE OF MUSIC is a perfect example of the universality of music and its ability to bring peace, health, harmony, and understanding among all generations.”
– Daniel Kobialka, composer and violinist

“It is through music that the soul manifests itself on Earth. True, music is invisible, but it is a powerful ‘Force’ as each sound, each vibration produces movement in space and releases powers within each human being. So, what is striking in THE SPIRITUAL SIGNIFICANCE OF MUSIC is that the compilation of a great variety of individual testimonials – just like many different musical instruments with their own pitch and timbre – comes together as a beautifully orchestrated concerto for 100 soloists. Through words carefully chosen to talk about music and spirituality, the fusion of the contributors’ voices above and around us is a simultaneous fusion of their souls and spirits. They come out as one. And that’s significant: our inner power is based on unity and on harmony. Thank you, Conductor Justin St. Vincent!”
– Gilles Laheurte, soprano saxophonist

“There are interviews in Justin St. Vincent’s THE SPIRITUAL SIGNIFICANCE OF MUSIC that rank with the most sublime passages in Rilke’s Letters to a Young Poet. I would recommend this book for any young musician seeking inspiration and solace in a world that doesn’t always “get” the spiritual dimension of music, or how close making, playing, and listening to music is to the core of who we are. St. Vincent’s far-reaching, even ecumenical choice of interviews is itself a message about how tolerance for each other’s music is a path to the universal brotherhood and sisterhood of humanity.”
– Kurt Leland, author of “Music And The Soul: A Listener’s Guide To Achieving Transcendent Musical Experiences”

“THE SPIRITUAL SIGNIFICANCE OF MUSIC is a very interesting read, and I was certainly surprised and happy at the same time, that many of the views from the artists in this book completely differ from mine. Many people believe there is some sort of spirituality in music, whereas for me music is a way of expressing my opinions and feelings… I think any fan of the many genres of music today will find this book very interesting as well as insightful. Justin St. Vincent came up with an interesting idea and certainly followed through with it. So go out and get the book.”
– Paul Speckmann, bassist and vocalist in Master

“When I was asked by Justin St. Vincent to pen something for his book THE
SPIRITUAL SIGNIFICANCE OF MUSIC, I jumped at the chance to give my thoughts on the subject. After I received my copy, which is very well done, I began to read and couldn’t put it down. It’s very interesting to digest all the other thoughts and opinions on this subject from such a wide range of musicians, authors, and teachers. Bottom line to me is that music and spirituality are both universal and speak to people. I believe this book will enlighten those that read it, and pound into your soul just how important music and spirituality are! Great job to Justin and all involved in the making of this great book.”
– Ronny Munroe, vocalist in Metal Church

“THE SPIRITUAL SIGNIFICANCE OF MUSIC has done an incredible job of capturing the innermost personal thoughts, ideals, and concepts from many of today’s most innovative cutting-edge musicians using a wide and diverse
cross-section of artists and genres. Never before has there been such a conglomerate of different styled artists in one body of work speaking directly from the heart and soul of the world with which we call music.”
– John Astl, guitarist in Resurrection

“Great book! So many different and diverse takes on THE SPIRITUAL SIGNIFICANCE OF MUSIC provided in it’s pages… each one a unique facet.”
– Michael Stearns, composer, sound designer, and soundtrack producer

“If you want to see evidence of what might be described as the breadth of divine spiritual embrace, read THE SPIRITUAL SIGNIFICANCE OF MUSIC, but read first, beginning on page 164, Brief Biographies. Then turn back to page 1. A wide gamut is represented. Here is fair warning: Be prepared to have your preconceived boundaries stretched… stretched beyond our understanding, not God’s. See, in dynamic tension, pages 111 and 158/9. Justin St. Vincent, the book’s editor, functions more as orchestrator or conductor in this project. He has found the connecting motif in music and coaxes it to light, no matter how far it must travel for its commonality to be seen.”
– Dr. Terry York, co-author of “The Voice Of Our Congregation: Seeking And Celebrating God’s Song For Us”

CD REVIEWS

ARTIST: Matt Venuti
ALBUM: Hangisphere
LABEL: Venus Central Productions
RELEASED
: 2009
DURATION: 38:55 – 10 Tracks

Matt Venuti’s Hangisphere is an album of diverse energy and stylistic innovation, exploring the extraordinary world of the PanArt Hang, the world’s latest acoustic instrument for the 21st Century. Album tracks “The Yolanda Trail” is a heart-felt romantic tribute, “Hang Bauhaus” has a soulful delicacy, and “Elephunk” delivers a funky fusion of great grooves and world beats. Hangisphere is soul-soothing and passionate display from composer, multi-instrumentalist, and sound-innovator Matt Venuti. Essential music that touches the heart, expands the mind, and plays the soul of the PanArt Hang. Hangisphere also contains guest appearances from members of San Francisco band The Venusians.

ARTIST: I/O\I
ALBUM: I/O\I (Self-Titled)
LABEL: [Independent Release]
RELEASED: 2007
DURATION: 71:28 – 26 Tracks

I/O\I is an experimental-electronic pop-rock project pioneered by Stafford Davis. “I/O\I (Self-Titled)” fulfills a creative collision of influences from art, literature, music, and philosophy to produce a contagiously-catchy album of noise-pop. A collective montage of musical-motifs creates the piano grandeur of “Compass”, electro-freak-beat of “People’s Shelves”, shopping-list style of “Product”, progressive-noise epic of “Code”, country textures of “Umbra”, and phrase-punch-rock of “Tellavision”. I/O\I is a multi-dimensional project tapping into different musical directions embracing a psychedelic experience somewhere between epilepsy and ecstasy.

ARTIST: Kimba Arem
ALBUM: Gaearth Dreaming [CD]
LABEL: Gaearth Records
RELEASED: May 2008
DURATION: 60:00 – 7 Tracks

Kimba Arem’s Gaearth Dreaming CD is a multi-dimensional surround-sound experience reawakening our senses to the wonders of creation. Each of the seven tracks from “The Journey Begins” to “Innerdimensonal” are unique auditory landscapes with extensive use of didjeridu drones, harmonic resonance, and vocal overtoning. Listeners are washed in a wonderful world of sound, experiencing a sonic relationship with nature, both representative and symbolic of our interconnectedness and interdependence with the Earth. Gaearth Dreaming is visioned, recorded, and mixed with love and intention, ideal for therapeutic bodywork, meditation, and relaxation.

ARTIST: Kimba Arem
ALBUM: Gaearth Dreaming [DVD]
LABEL: Gaearth Records
RELEASED: May 2008
DURATION: 60:00 – 8 Chapters

Kimba Arem’s Gaearth Dreaming DVD is a visual companion to her Gaearth Dreaming CD. An audio-visual experience for inner peace, self-empowerment, and self-healing. A track-by-track summary showcases
an impressive inventory of indigenous instruments from ancient cultures, and ecological environments sourced from the archives of creation. Also included is a fascinating booklet revealing the remarkable science of sound healing, further illuminating innovative recording techniques, and reinforcing the importance of inspiration and intention. Gaearth Dreaming is a blissful journey blessed with sonic nutrients for the soul.

ARTIST: Secret Chiefs 3
ALBUM: Xaphan: The Book Of Angels, Vol. 9
LABEL: Tzadik Records
RELEASED
: April 15, 2008
DURATION: 55:22 – 11 Tracks

Secret Chiefs 3’s Xaphan explores emotive and evocative music from John Zorn’s Masada Book Two: The Book of Angels. An album that weaves several musical styles through an intricate tapestry of sound. Listen for the playful percussion and apocalyptic-funk of “Shoel”, harp and vocal interplay on “Barakiel”, intuitive guitars and gypsy swing of “Asron”, bass versus clavinet on “Balberith”, klezmer-jazz rhythms of “Omael”, plus the heavenly harmonies and soulful seduction for “Hamaya”. Trey Spruance is a sonic alchemist; conjuring meticulously crafted rhythms, cultivating musical calligraphy, with a spectacular sound signature from Secret Chiefs 3.

ARTIST: Bar Kokhba
ALBUM: Lucifer: The Book Of Angels, Vol. 10
LABEL: Tzadik Records
RELEASED
: March 18, 2008
DURATION: 54:40 – 10 Tracks

Bar Kokhba’s Lucifer balances musical traditions from both Ashkenazi and Sephardic klezmer styles with latin, surf, and world music. A choice selection of ten tracks from John Zorn’s prolific portfolio of over three-hundred compositions for Masada Book Two: The Book of Angels. These tunes all reference a name from the spiritual study of angelology. Personal favourites from the tenth edition in this Tzadik series include “Zazel”, “Gediel”, “Rahal”, “Azbugah”, and “Abdiel”. Bar Kokhba play intimate chamber music that illustrates a beautiful collage of contrast and creativity; delicate and diverse music expressed with eloquence and elegance.

ARTIST: John Zorn
ALBUM: The Dreamers
LABEL
: Tzadik Records
RELEASED: March 18, 2008
DURATION: 52:48 – 11 Tracks

John Zorn’s The Dreamers is a delightfully lyrical and poetic journey through instrumental fairy tales from the Electric Masada all-stars. Album opener “Mow Mow” sets the tone for a marvellous dream-like tour into a mesmeric world of exotica music. Listen for Jamie Saft’s piano via “A Ride On Cottonfair”, John Zorn’s alto-sax on “Toys”, both Marc Ribot’s guitar and Kenny Wollesen’s vibes on “Of Wonder And Certainty”. “The Dreamers” is a varied and vibrant release perfect for fans who fell in love with John Zorn’s “The Gift”. Tzadik’s incredible artwork for this album also features a sheet of sixteen collectable character stickers in a stunning CD package.

ARTIST: Andrew Lyddon
ALBUM: White Rose: Himalayan Singing Bowls
LABEL: [Independent Release]
RELEASED: February 2007
DURATION: 65:57 – 6 Tracks

Andrew Lyddon’s White Rose expresses remarkable resonance from an orchestral gong married with the sound of Himalayan singing bowls. Each track was intentionally made to be a meditation experience, designed to benefit the body, mind, and soul in a prepared and sacred space. “White Rose“, “Invocation Of The White Rose“, “Stillness Of The White Rose“, and “The Sound Resting Within Itself” each provide a time for reflection of what has been, and what is to come. “Opening Attunement” and “Closing Attunement” frame the entire sound sequence. Andrew Lyddon produces harmonic resonance music with peace, love, and light.

ARTIST: Andrew Lyddon
ALBUM: The Temple Bell: Himalayan Singing Bowls
LABEL: [Independent Release]
RELEASED
: May 2008
DURATION: 72:10 – 4 Tracks

Andrew Lyddon’s The Temple Bell brings the ancient artform of singing bowls from the Buddhist tradition into the light. Delicate and dense tones create a harmonic resonance that washes the soul with shimmering sound waves. “Opening Attunement” and “Closing Attunement” are spoken “sealing” pieces encouraging listeners to attune their inner senses to the infinite sound of harmony and healing. “The Temple Bell – Part 1” and “The Temple Bell – Part 2” are played on a Paiste saturn gong, singing bowls, and Himalayan temple gong. A sound experience for peaceful meditation, restful relaxation, and creating an atmosphere of sacred space.

DIRECTOR: Derrick Scocchera
FILM: A Perfect Place [DVD]
COMPANY
: Fantoma Films
RELEASED
: March 11, 2008
DURATION: 24:24 – 6 Chapters

Derrick Scocchera’s A Perfect Place is a short black and white film featuring a profoundly eclectic soundtrack by Mike Patton. This black comedy follows Tom (Mark Boone Junior) and poker bubby Eddie (Bill Moseley) in their dilemma of finding a perfect place to bury the body of flatmate Dennis (Tom Miller) when battered by a bass guitar. A Perfect Place is a pseudo-haunting and playfully humourous story from Fantoma Films, landmarking Ipecac Recordings’ 100th release in a special edition film and soundtrack package. This CD and DVD release includes “A Perfect Place” movie, scene selection, trailer, and fifteen song soundtrack.

ARTIST: Mike Patton
ALBUM: A Perfect Place [CD]
LABEL: Ipecac Recordings
RELEASED
: March 11, 2008
DURATION: 35:29 – 15 Tracks

Mike Patton’s soundtrack to A Perfect Place takes you through the surreal and suspenseful tones of a short film from Derrick Scocchera. A perfect blend of jazz-rock and noise-pop for “A Perfect Twist (Vocal)”, Komeda-style lullaby vocals on “A Little Poker Tomorrow Night?”, 1930’s pop-swing on “A Dream Of Roses”, with “Swinging The Body” referencing Mancini’s “Charade”, kooky organ on “Catholic Tribe”, and outstanding operatic vocals on “Il Cupo Dolore”. All music was written, performed, produced, and mixed by Mike Patton, with additional percussion by Mr. Bungle’s drummer Danny Heifetz and William Winant on “Main
Title” and “Batucada”.

AUTHORJonathan Goldman
TITLE: The 7 Secrets Of Sound Healing
PUBLISHER: Hay House
RELEASED: March 1, 2008
PAGES: 161

Jonathan Goldman’s The 7 Secrets Of Sound Healing is essential reading for everyone exploring the spiritual signficance of music. Over twenty-five years of experience, research, and teaching has been brought together to reveal revelations from the soul of sound. Wonderful wisdom is shared from ancient sacred texts to practical exercises and transformational testimonies. This book has truly blessed the world with an intimate understanding of sound to enhance the body, mind, and spirit. Also includes a free CD called “Peaceful Journey” applying all the secrets of sound healing.

ARTIST: Jonathan Goldman
ALBUM: Peaceful Journey
LABEL
: Hay House
RELEASED
: March 1, 2008
DURATION: 26:44 – 1 Track

Jonathan Goldman’s Peaceful Journey presents a perfect companion for personal meditation, deep relaxation, and stress reduction. A beautiful mosaic of music married with the nurturing sounds of nature, featuring fluttering flutes and shimmering sounds to serenade the soul. Environmental effects, lyricless lullabies, and psychoacoustic harmonics combine with a tranquil stream to guide the mind to peaceful pastures. A recording that resonates with the heart revealing the true sound of healing is Love.

ARTIST: Eyvind Kang
ALBUM: Athlantis
LABEL: Ipecac Recordings
RELEASED: July 10, 2007
DURATION: 41:47 – 12 Tracks

Eyvind Kang’s Athlantis is a colourful creation weaving threads from choral and orchestral soundscapes. An aural essence that sounds both holy and haunting, inspired by arcane medieval texts from French hymnologist Marbod of Rennes, and Italian heretical philosopher Giordano Bruno. Athlantis includes operatic gymnastics from virtuoso vocalists Mike Patton and Jessika Kenney, among an incredible chorus of singers and musicians recorded live at Italy’s Angelica and l’Altro Suono Festival during May 2006. Eyvind Kang has established himself as an enigmatic composer capable of exposing musical traditions that are glorious and triumphant.

AUTHORKeith Kahn-Harris
TITLE: Extreme Metal: Music And Culture On The Edge
PUBLISHER: Berg Publishers
RELEASED: January 24, 2007PAGES: 194

Keith Kahn-Harris’ Extreme Metal: Music And Culture On The Edge investigates sociological and subcultural insights from the world of Extreme Metal.
An often misunderstood music scene where musicians explore positive and negative themes together, and an influential music identity that embraces the relevance of relationships empowered by community and friendship. Extreme Metal is a pioneering publication featuring interviews with both band members and music fans. Readers will find this text well referenced and researched; a critical and crucial companion for all fans of extreme music. Keith Kahn-Harris has produced a brilliant book expressing a sincere depth, focus, and passion for Extreme Metal.

ARTISTDestructo Swarmbots
ALBUM: Clear Light
LABEL: Public Guilt
RELEASED
: May 29, 2007
DURATION: 54:46 – 4 Tracks

Destructo Swarmbots‘ “Clear Light” explores an ambient-psyche soundscape signposted by etheral evocations. “Banta” begins the journey stepping into surreal territory that blurs the borders between improvised textures and an affiinity for the avant-garde. The compositional compass then guides you through “Phases”, “Fireberry”, and “Sipping On The Fog”. All music on “Clear Light” was created and recorded by Mike Mare, mixed by Alap Momin (aka Oktopus), and mastered by James Plotkin. Destructo Swarmbots have also extensively toured throughout Europe, U.K., and U.S., and produced remarkable remixes for Dälek, Isis, and Trephine. “Clear Light” is another fine release from the prime portfolio on Public Guilt. 

ARTISTThe Book Of Knots
ALBUM: Traineater
LABEL
: ANTI-
RELEASED
: April 10, 2007
DURATION: 50:33 – 14 Tracks

The Book Of Knots‘ new album “Traineater” builds a conceptual portrait of American cities denied of a post-modern existence. Anticipate well-crafted songs played to a textured narrative of sombre storytelling, especially “Hands Of Production”, “The Ballad Of John Henry”, and “Boomtown”. The Book Of Knots features New York-based musicians from Skeleton Key, Sleepytime Gorilla Museum, Sparklehorse, and They Might Be Giants. “Traineater” also has several special guests, including Tom Waits, Carla Bozulich, Jon Langford, Megan Reilly, David Thomas, and Mike Watt.

ARTIST: The Scallions
ALBUM: Agony Through Ceremony [CD+DVD]
LABEL
: Slam Jamz Records
RELEASED
: August 8, 2006
DURATION: 40:44 – 12 Tracks
The Scallions‘ “Agony Through Ceremony” is their highly anticipated release on Chuck D’s Slam Jamz Records. A captivating album produced with creative inspiration for avant-pop melodies and infectious lyrics.
Songs from the Scallions are equally memorable and mesmerizing, especially “Memories Are Made Of This” and the simply beautiful “Silence In Sunshine”. Their music embraces each song with intricate rhythms freshly revealed for an intimate listening experience. The “Agony Through Ceremony” CD is packaged with a DVD slam jammed with special features, including an album documentary, bonus audio, music videos, and live performances. Album notes also include a special thanks to Xtreme Music.
ARTISTJamie Saft Trio
ALBUM: Trouble: The Jamie Saft Trio Plays Bob Dylan
LABEL
: Tzadik Records
RELEASED
: July 2006
DURATION: 51:19 – 8 Tracks
Jamie Saft Trio‘s “Trouble” is a delightful tribute to Bob Dylan. These radical reworkings are reinterpretations from the intimate side of an iconic lyricist. “Dignity”, “Dirge”, and “Disease Of Conceit” are incredible compositions that resonate with the musical and spiritual intricacies of Bob Dylan’s dynamic music. Jamie Saft performs on piano and hammond organ, joined by Greg Cohen on contrabass, and Ben Perowsky on drums. Special guest vocalists include Mike Patton on “Ballad Of A Thin Man”, and Antony on “Living The Blues”. An essential addition to Tzadik’s Radical Jewish Culture series.
ARTISTJamie SaftMerzbow
ALBUM: Merzdub
LABEL: Caminante Recordings
RELEASED
: August 28, 2006
DURATION: 71:25 – 8 Tracks
Jamie Saft & Merzbow‘s “Merzdub” is a collaborative collision between a jazz-pianist and a Japanese-noisician. Anti-ambient sonic-soundscapes are remixed by Jamie Saft together with Merzbow’s mind-melting assault on the senses. This unique album brings bizarre and brutal beatings to the brain from their journey into noise. Recommended listens are the album’s opener “Conquerer” and the background reggae rhythms of “Slow Down Furry Dub”. Packaging comes with four coloured cards covering information on this release from Caminante Recordings.
ARTISTWhite Rose
ALBUM: War Machine
LABEL
: Unitree Recordings
RELEASED
: July 2006
DURATION: 23:46 – 11 Tracks
White Rose are a political-punk quartet from Hawaii producing a powerful wave of lyrically intense music. “War Machine” clearly captures the creative vision and core values of White Rose. Firm favourites are “In Control”, “Guilty”, “Lest We Forget”, together with their thought-provoking track “Who Would Jesus Bomb?”. Album artwork and band logo is by Dead Kennedys legendary designer Winston Smith. Their debut album is now available directly from the band by mailing a check for US$12 to: White Rose, c/o Steve Hart, P.O. Box 880908, Pukalani, HI 96788, U.S.A.
ARTIST: SPEkTR
ALBUM: B/W Vs. Technicolor
LABEL
: [Independent Release]
RELEASED: 2006
DURATION: 32:48 – 13 Tracks

SPEkTR have a legendary style saturated with inspired influences from Barry to Badalamenti and from Mancini to Morricone. Their latest album “B/W Vs. Technicolor” has been accurately described as a “Retro-Nü-Soundtrack”, with artwork by Estradasphere designer Mike Bennewitz. SPEkTR showcase plenty of art rock attitude and share playful sonic explorations into their sound textures. A highly recommended group just like all your favourite film composers collaborating together to produce one incredible album. SPEkTR are perfectly positioned in the expanding portfolio of Xtreme Music.

ARTIST: S.P.E.C.T.R.E
ALBUM: The Microfilm Album
LABEL
: Alternate Records
RELEASED
: 2001
DURATION: 16:49 – 7 Tracks

S.P.E.C.T.R.E. are a stylistically diverse band that formed in Denmark during 2001 and released a debut EP called “The Microfilm Album”. This is a crazy caper surf soundtrack played to a psychedelic heavy-rock party with twanged-out guitars and sci-fi film effects. “Car Chase”, “House Search”, and “The Rooftop Incident” all build tension to a musically mysterious adventure through a thrilling tale of deception and detection. An extremely short but sharp release linked together by a spy-spoof narrative. Essential listening for
exploring the early roots of the now influential group SPEkTR.

ARTISTWatsonville Taiko
ALBUM: Futabashira
LABEL: [Independent Release]
RELEASED
: 2006
DURATION: 44:57 – 7 Tracks
Watsonville Taiko and Kevin Kmetz collaborate in this contemporary collision of Taiko Drumming featuring Tsugaru Shamisen. A passionate and percussive musical journey into the joyous exploration of Japanese music. Recommended tracks are “Asayake (Sun Rise)” and “Kaze Ni Fukarete (Sent By Winds)”. “Futabashira (Two Pillars)” is a spiritual encounter with ethereal vocal harmonies and inspiring instrumentation. Watsonville Taiko is a creative community of composers giving listeners a greater appreciation for Japanese music, myth, folklore, dance, and theater.
ARTIST: Kevin Masaya Kmetz
ALBUM: Great Masters Of Modern Shamisen
LABEL: [Independent Released]
RELEASED: 2006
DURATION: 59:24 – 17 Tracks

Great Masters Of Modern Shamisen is a creative compilation from Kevin Kmetz showcasing new works by some of today’s most celebrated Shamisen masters. God Of Shamisen perform a brilliant track called “California Burrito Dog Attack!”, “The Kidnapper” features Fishtank Ensemble together with guitarist El Douje, and “Mary Jane” is another incredible song scripted by vocalist Danyl Johnson. This CD also contains several original songs from Tsugaru Shamisen protégé Mike Penny. Kevin Kmetz also covers the legendary Baroque composer Johann Sebastian Bach’s “Toccatta”.

ARTISTEftus Spectun
ALBUM: The Tocks Clicking
LABEL: Public Eyesore Records
RELEASED: August 2005
DURATION: 16 Tracks
Eftus Spectun‘s “The Tocks Clicking” showcases sixteen tracks spanning the music catalogue from the angular math-pop trio from Bath, England. Eftus Spectun present esoteric music taken from their extremely rare independent releases. Album favourites are the angular rhythms of “At The Saveloy”, mathematical formulae of “Number Crunching”, the ambient soundtrack for “Attic Scene”, plus the previously unavailable recordings “Dear Razel” and Gambi”. Eftus Spectun can now entertain and repulse audiences worldwide through their exclusive release on Public Eyesore Records.
ARTIST: Underblush
ALBUM: Underblush (Self-Titled) [EP]
LABEL
: [Independent Release]
RELEASED: July 2005
DURATION: 34:19 – 7 Tracks

Underblush are pioneering ethereal-electronica that reaches a place between delicate dreams and spiritual serenity. An innovative sound that experiments with the listener’s suspended consciousness. Underblush write introspective lyrics together with synthesized arrangements, organic instrumentation and composed ambiance. “Last Alibi” and “Amber” have atmospheric introductions, utilizing layers of reverse resonance fused with fluttering feedback effects. Underblush is produced in San Francisco by project visionary Stefano Corazza and graced by angelicvocalist Alzara Getz.

ARTIST: Various Artists
ALBUM: Knormalities V.3 [7″]
LABEL
: Dephine Knormal Musik
RELEASED
: July 2005
DURATION: 12:01 – 4 Tracks

Dephine Knormal Musik presents Knormalities V.3, a seven-inch vinyl compilation featuring exclusive tracks from four fantastic bands. Netherlands-based punk band The Ex perform “Giant” based on a short story by Roland Topor. French noise-core group Voodoo Muzak have contributed their song “Ibanen Dako”. Chicago collective Cheer-Accident have released “The Stars”, including lyrics from a poinient poem written by seventh grade student Stephanie Howell. Sleepytime Gorilla Museum raise a respectful salute to the Romans in their studio cover of “S.P.Q.R.”, originally by British post-punk band This Heat. This rare release is limited to one-thousand and thirty copies and features fabulous artwork by Carla Kihlstedt.

ARTIST: Still
ALBUM: Remains
LABEL: Public Guilt
RELEASED: June 28, 2005
DURATION: 34:10 – 6 Tracks

Remains is from Still, one-third of New Jersey’s experimental hip-hop trio Dälek. His latest release is an ambient record combining textured soundscapes with innovative turntablist techniques. Delicant ambience is meticulously mapped through a multitude of effects and produced using Technics 1200’s. Remains also contains an enhanced section containing a verite-style movie montage from New York photographer Todd Boebel. Remains is exclusively available from Public Guilt records and includes hand-wrapped limited edition artwork. An exceptional release from a visionary of sound design.

ARTIST: Kazuhisa Uchihashi & Tatsuya Yoshida
ALBUM: Hercules’ Icy Club (2CD)
LABEL
: Tone Industria
RELEASED
: June 17, 2005
DURATION: 147:56 – 19 Tracks

Hercules’ Icy Club is a rare release from four incredible live performances in Poland between legendary Ruins drummer Tatsuya Yoshida, and Ground Zero guitarist Kazuhisa Uchihashi. The 2CD limited edition comes in a hand-made leather jacket, individually numbered, with a twelve page booklet, and a special painting of the two musicians that is completely unique. There also exists a regular one disc version, exhibiting a selection of live excerpts from the great gigs in Poland. This is available to purchase online, and produced through the Wschodnie Triady radio show by Marcin Witkowski.

ARTIST: Bootsykronos
ALBUM: Go F*** Yourself Demos
LABEL
: [Independent Release]
RELEASED: May 15, 2005
DURATION: 72:32 – 9 Tracks

Go F*** Yourself Demos provide a portfolio of G. Stuart Dahlquist’s early recordings for the drone-rock collective Asva. This includes “By The Well Of Living And Seeing” featuring noise samples from DJ Spooky, and Kille Dog, Tie Them Up, Then Take The Money”, both recorded at the Anaheim Museum. An early demo of “Fortune” is labelled under the original title “25 Year Old Garage Sale Bourbon” with Hildegard Von Bingen’s “O Vis Aeternitatis”. This rare independent release was limited to fifty-five copies, and features insightful interviews with G. Stuart Dahlquist and Steven O’Malley.

ARTISTFake No More
ALBUM: Live And The Singles
LABEL: [Independent Release]
RELEASED: May 2005
DURATION: 45:55 – 12 Tracks
Fake No More‘s “Live And The Singles” is a promotional sampler available for festival and band bookings. It includes live material from Fake No More, including Faith No More favourites “Midlife Crisis”, “The Gentle Art Of Making Enemies” and “Caffeine”.
It contains a cover of The Bee Gee’s “I Started A Joke”, Gwen Stefani & Eve’s “Rich Girl”, and another version of “Evidence” as a secret bonus track. These live recordings were made on May 5, 2005 Zelhem, Holland, Bevrijding Festival. Fake No More have also included original studio recordings called “Candy Smile” and “Heaven”.
ARTIST: Asva
ALBUM: Futurist’s Against The Ocean
LABEL: Mimicry Records
RELEASED
: April 26, 2005
DURATION: 52:22 – 4 Tracks

Asva‘s “Futurist’s Against The Ocean” is a sonic storm of drone-rock, expressing Russian futurism with alchemic influences and subtle nuances in the avant-garde. Asva has musicians from Mr. Bungle, Secret Chiefs 3, Sunn 0))), and Burning Witch unleasing a legion of doom music. Listen closely to the whispered cyphers during Asva’s opening track “Kill The Dog, Tie Them Up, Then Take The Money”, and the resonating vocals during “Fortune”. Asva is creative music that can open up the deepest of emotions, helping the listener to
explore a vast landscape in soulful minimalist music.

ARTIST: Fantômas
ALBUM: Suspended Animation
LABEL: Ipecac Recordings
RELEASED: April 5, 2005
DURATION: 43:58 – 30 Tracks

Suspended Animation is the latest album from Mike Patton’s diabolikal brainchild, Fantômas. The album’s music contains chaotic cartoon samples, crazy children’s music, and a choppy carnival of metal riffs. Track titles are based on the thirty day April calendar, supported by amazing artwork from Japanese pop cartoonist, Yoshimoto Nara. Every track on this album has been expertly crafted and precisely executed by Fantômas. An incredibly intricate and important album from the mind of Mike Patton: virtuoso composer, dynamic performer, and musical genius!

ARTIST: Kevin Masaya Kmetz ALBUM: California Tsugaru Shamisen
LABEL: Shamisen Katoh
RELEASED
: April 3, 2005
DURATION: 55:07 – 14 Tracks

California Tsugaru Shamisen is a compilation showcasing music performed by Shamisen virtuoso Kevin Kmetz. This collection includes collaborations with Secret Chiefs 3, Estradasphere, El Douje, God Of Shamisen, and new material from Fishtank courtesy of Trey Spruance’s Mimicry Records. A sonic fusion of Japanese folk, Romanian gypsy, Flamenco grooves, traditional music, and surf-rock styles. Album favourites include Fishtank’s “The Last Shamisen Master” and God Of Shamisen’s “Dragon String Attack!”

UNAVAILABLE

ARTISTVarious Artists
ALBUM: Fantômastique
LABEL: [Independent Release]
RELEASED: March 15, 2005
DURATION: 55:45 – 20 Tracks
XtremeMusic.org is proud to feature Fantômastique, a remix album produced by Fantômas fans for Fantômas fans. An online competition brought together this collection of remixes submitted by various contributors worldwide. Every remixer received a limited edition Fantômastique CD as a complementary free gift for their remix time and production efforts. This collection aims to promote music by Fantômas, and respects that the original samples remain property of Ipecac Recordings. This album was never intended for commercial distribution and must never be bought, sold or traded.
ARTIST: Verplanken
ALBUM: Autopsy Of A Dream
LABEL: Marie-Line T Discovery
RELEASED: February 28, 2005
DURATION: 37:40 – 9 Tracks

Autopsy Of A Dream is an introspective journey into the surrealist cognition of our human condition. An emotional exploration of sound styles including musique concrete, krautrock, and free-jazz. Verplanken embraces diverse references ranging from psychedelic electronica to the minimalist movement, citing influences from Pink Floyd and Philip Glass. Listen out for the sound design on “Last Interlude”, combining gritty footsteps with micro-noise and ambient drones. The album features nine mysterious compositions based on several abstract ideas and conceptual metaphors.

ARTISTNaked City
ALBUM: The Complete Studio Recordings [BOX-SET]
LABEL
: Tzadik Records
RELEASED: February 22, 2005
DURATION: 326:43 – 121 Tracks
The Complete Studio Recordings has been radically remastered by John Zorn and Scott Hull, making them available through this exclusive box-set from Tzadik Records. Naked City’s music is now louder, clearer, and more intense than ever before. The Complete Studio Recordings comes with a specially printed 130 page booklet entitled “Eight Million Stories – Naked City Ephemera”. A collector’s edition and essential for those wanting to experience Naked City’s music in the way it was intended.
ARTISTSarah Marie & Jordan Puleston
ALBUM: Let Me Be Your Sunlight [CD-Single]
LABEL
: [Independent Release]
RELEASED
: February 14, 2005
DURATION: 8:24 – 2 Tracks

Let Me Be Your Sunlight is a soulfully beautiful love song written for Nova The Musical. An international online-collaboration between Dutch composer Tristan Bons, Welsh librettist Robert Gould, and Swedish lyricist Jimmy Granstrom. The musical tells the story of an emotionally troubled teenage boy who meets a girl who tries to be his sunlight. This extremely rare CD-Single features two talented vocalists, Sarah Marie and Jordan Puleston, previously part of the Welsh-pop sensation Bac2Bac. This exclusive release also includes an instrumental MIDI version of “Let Me Be Your Sunlight”.

ARTIST: Ordkløver
ALBUM: Ordkløver (Self-Titled)
LABEL: [Independent Release]
RELEASED: December 2004
DURATION: 27:10 – 7 Tracks

Ordkløver literally refers to “he who splits words” and features three Düreforsög members, vocalist Boriz Schiøler, guitarist Nis Bysted and drummer Andreas Hauer-Jensen. This project has a distinctive ability to fuse alternative Danish poetry with elements of rock music. Listeners will enjoy the disorientating drives of “Tyggegummi” and the playful masquerade of “Ingenting”. The album’s prime production is “Alphabeth”, a vocal arrangement based upon alphabet recitation supported by choral percussion. A brilliant release from a captivating vocalist and his group of multitalented musicians.

ARTISTThe Bleeder Group
ALBUM: Sunrise
LABEL: Death Defying Discs
RELEASED: November 30, 2004DURATION: 72:16 – 16 Tracks
Sunrise is The Bleeder Group‘s exploration into experimental-pop and intricate-rock music. This Danish collective have brought together catchy melodies with innovative production techniques. Throughout the album you’ll hear bizarre backing tracks layered with shining lyrics and bright instrumentation. Enjoy the beautiful “I Know You’re Going To Love My Sad Song”, and obscure film samples in “The God Of Odd”. Listen out for The Bleeder Group’s brilliant tribute to an innovative British producer, “Joe Meek Shall Inherit The Earth”.
ARTISTThe Nuge
ALBUM: Judo Studio
LABEL: [Independent Release]
RELEASED
: October 2004
DURATION: 27:52 – 7 Tracks
Judo Studio emerges from The Nuge, an instrumental-rock four-piece from Bristol, England. This album was produced by Jeff Spencer and features ex-Eftus Spectun member Matt Chapman. The Nuge choose to ignore current trends in both the avant-garde
and the mainstream. Instead they compose and perform pieces that feature an engaging progression of ideas. The Nuge demonstrate a balance between simplicity and complexity, while still evoking an extensive range of feelings. Their atomic stage shows reproduce the precision of their recordings with energy and passion.
ARTISTOliver White
ALBUM: The Orient
LABEL: [Independent Release]
RELEASED
: September 5, 2004
DURATION: 21:21 – 1 Track
The Orient is a concept album with intriguing textures blended into an ambient collage of haunting scenarios. This mysterious soundtrack arrived with the following listening directives: “Imagine a ‘suit and tie’ on holiday getting himself into a variety of strange situations. Listen out for being chased by a plane, zipped into the trunk of a car and breaking and entering. The tension mounts, on with the body count!” Oliver White has composed a sincere score with talented techniques for developing sound design.
ARTISTTub Ring
ALBUM: Zoo Hypothesis
LABEL: Underground
Inc
RELEASED: August 17, 2004
DURATION: 38:34 – 16 Tracks
Zoo Hypothesis is another one of those Tub Ring albums that is incredible from start to finish. You’ll continually discover new layers within Tub Ring’s intricate music. An infectious release that you’ll keep in your CD player until you’re singing every line and humming every note. Lyrics are brilliant and the artwork superb! Emerging favourites are: “Tiny, Little”, “I Could Never Fall In Love With You”, “Raindrops”, “Return To Me”, and “Vehicle”.
ARTIST: Various Artists
ALBUM: Brazilian Sabor Vol. 1: Um Tributo Virtual Ao Faith No More
LABEL
: [Independent Release]
RELEASED: April 13, 2004
DURATION: 57:15 – 14 Tracks
Brazilian Sabor Vol. 1: Um Tributo Virtual Ao Faith No More is an exclusive online tribute to Faith No More performed by an ecclectic collection of Brazilian bands. Endorsed by Faith No More’s bassist Billy Gould, this compilation brings together independent musicians to interprete some incredible songs. Speed Turtles have produced a brilliant “Faith No Medley” that cleverly combines over seven Faith No More songs. Listen out for female vocalist Nancyta & Os Grazzers on “Get Out”, Nostromo‘s dark prescence on “As The Worm Turns”, and Faith No Man‘s “Stripsearch” that oddly samples the opening to the original.
ARTISTVarious Artists
ALBUM: Brazilian Sabor Vol. 2: Um Tributo Virtual Ao
Faith No More
LABEL: [Independent Release]
RELEASED: April 13, 2004
DURATION: 53:10 – 13 Tracks
Brazilian Sabor Vol. 2: Um Tributo Virtual Ao Faith No More is as diverse as it is memorable. As you would expect from a tribute album, the tracks range from blindingly great songs to barely recognizable covers. Grindcore metallers Luta De Classes open with “Introduce Yourself”, Hectracton slow the tempo to “From Out Of Nowhere”, and Lavajato‘s space-out vocals and ambient percussion gives a new meaning to “Be Aggressive”. Notable highlights include complete Portuguese lyrics to “Caralho Voador” by Ambervisions,
and an acoustic vibe for “Just A Man” by Cirilo Cavalli.
ARTISTThe Method And Result
ALBUM: The Things You Miss [EP]
LABEL
: Losing Blueprint Records
RELEASED: March 23, 2004
DURATION: 6 Tracks
The Things You Miss is the debut EP from Philadelphia-based duo, The Method And Result. This six-track release blends beats, gyrating guitar, and visceral vocals. A skillful combination of sounds fused together, producing a fascinating glipse of what these highly talented musicians are capable of performing. “Party List”, “Safety Scissors”, and “Everything Old Is New Again” are incredible songs that you’ll want to hear from married couple Megan and Mason Wendell. A promising release that is simply the beginning of more to come from The Method And Result.
ARTISTThe Demix
ALBUM: Storm
LABEL: [Independent Release]
RELEASED: October 31, 2002
DURATION: 39:20 – 7 Tracks
The Demix is an L.A-based DJ who has engineered noise diffusions of music originally by Fantômas. The first track “Scene 1 / Trapper.Keeper.Stalker.Dead.Silent” contains a discrete sample of “Page 22” and “Scene 6 / Re:1diedjdie.letmeoutofhere” features Fantômas covering Karl-Ernst Sasse’s “Der Golem”. A comprehensive artist feature, selected discography, and exclusive interview with The Demix can be viewed online.
ARTIST: Various Artists
ALBUM: A Tribute Of The Year: Tribute To Faith No More
(2CD)
LABEL
: Underground Inc Records
RELEASED: July 23, 2002
DURATION: 30 Tracks

A Tribute Of The Year: Tribute To Faith No More is a challenging release. Tribute albums are notorious for disappointing fans and alienating listeners who aren’t receptive to reinterpretations of their favourite songs. Tribute Of The Year predominantly features underground industrial metal bands butchering perfect songs originally by Faith No More. There are a couple of decent covers on this compilation, like Daiquiri’s “Everything’s Ruined” and Tub Ring’s “Mouth To Mouth”. Overall, this collection of covers will not live up to high expectations from the most hardcore of Faith No More fans.

ARTISTFake No More
ALBUM: Recorded Live, Bristol 3/7/02
LABEL: [Independent Release]
RELEASED
: July 2002
DURATION: 10:50 – 3 Tracks

Fake No More are the U.K’s premier tribute to Faith No More. This look-a-like and sound-a-like tribute provide the ultimate experience for hardcore fans and newcomers to Faith No More’s exceptional music. A limited edition three track single was independently released and made available through band members themselves. It includes exclusive covers of “Be Aggressive”, “Digging The Grave”, and “We Care A Lot”. A great quality live recording from July 2, 2002 Bristol, England, Fleece and Firkin. This release provides evidence that Fake No More are a brilliant tribute to Faith No More.

ARTISTDan The Automator
ALBUM: Wanna Buy a Monkey?: A Mixtape Session
LABEL
: Sequence Records
RELEASED
: February 19, 2002
DURATION: 15 Tracks
Dan The Automator is a San Francisco-based hip-hop producer who collaborated with Mike Patton during 2001 for a lounge-flavored, Serge Gainsbourg-influenced project called Lovage. “Wanna Buy a Monkey?: A Mixtape Session” features an “Intro” track that samples Fantômas perfoming an Ennio Morricone cover called “Investigation Of A Citizen Above Suspicion”, mixed with recycled scratches from Deltron 3030 and Handsome Boy Modeling School.
ARTISTBside
ALBUM: Fantômas Re-Interpretations
LABEL
: [Independent Release]
RELEASED
: May 2001
DURATION: 15:05 – 2 Tracks
Bside from Sydney, Australia, has made irreverent takes on a modern masterpiece by producing thumping house arrangements of two Fantômas tracks. “Page 1 (Bside’s Shudder Remix)” features a pounding assault
of Mike Patton’s growling vocals. “Page 3 (Bside’s Clown In Town Remix)” combines vocal manipulations with hard-techno mayhem. Bside has also produced an Orchestral Redux of Mr. Bungle’s “The Holy Filament” available online.
ARTISTBlinder
ALBUM: Calamity A Foot Behind
LABEL: Solarmanite Records
RELEASED
: May 30, 2000
DURATION: 9 Tracks
Calamity A Foot Behind is the debut full-length album from Blinder, a female-fronted fluid-jazz, math-rock married duo. Megan Wendell is an accomplished pop-vocalist who is comfortable singing strong emotional lyrics in an edgy-rock context. Together with husband and ex-Prelapse musician Mason Wendell, Blinder incorporates complex time signatures and jazz grooves. A perfect sequel to their rare EP that also includes “Carbon” and “Pieces”. This album engages the listener to appreciate their lyrical, rhythmic, and melodic song arrangements.
ARTIST: Ron Geesin & Roger Waters
ALBUM: Music From The Body (Re-Released)
LABEL: EMI International Records
RELEASED
: April 26, 2000
DURATION: 41:28 – 22 Tracks
Music From The Body takes you on a marvelous musical journey through twenty-two compositions. The Body was a medical documentary directed by Roy Battersby and produced by Tony Garnett in 1970. Sound experimentalist Ron Geesin collaborated with progressive-rocker Roger Waters to release this twisted auditory exploration of the human body. “More Than Seven Dwarfs In Penis-Land” and “Mrs. Throat Goes Walking” explore the bizarre world of vocal manipulations. In addition, members of Pink Floyd join the duo for the soundtrack finale “Give Birth To A Smile”.
ARTIST: Massive
Attack ALBUM: Mezzanine
LABEL: Virgin Records
RELEASED
: May 12, 1998
DURATION: 63:29 – 11 Tracks
Mezzanine is Massive Attack’s third full-length release, fusing prog-rock riffs with hip-hop beats to create a new bread of trip-hop. The album opens with the beautiful “Angel”, featuring Horace Andy’s androgynouscrooning, melted together with the industrial backing beats. The album also includes the hit single “Tear Drop” featuring the soothing vocals of Liz Fraser of The Cocteau Twins. A award-winning music video accompanied this track, showing a baby in it’s mother’s womb singing the lyrics to this song.
ARTISTMartin Denny
ALBUM: Bachelor In Paradise: The Best Of Martin Denny
LABEL
: Pear Records
RELEASED
: 1996
DURATION: 53:36 – 20 Tracks

Bachelor In Paradise: The Best Of Martin Denny showcases music from the influential pioneer of Exotica, who helped shape the musical exploratio of record buyers from the late-1950’s and beyond. His style is a cross-fertilization between world jazz and Pacific Island music. This definitive collection showcases Martin Denny’s music portfolio, including “Quiet Village”, “Cast Your Fate To The Wind”, “Pearly Shells”, “A Taste Of Honey”, and “Little Bird”. An essential introduction to the world of Exotica, and a perfect complement to any music enthusiasts’ collection.

ARTIST: The Young Gods
ALBUM: L’Eau Rouge (Re-Released)
LABEL: Interscope Records
RELEASED
: October 31, 1995
DURATION: 40:50 – 10 Tracks
The Young Gods are Swiss experimental-rockers who formed in Geneva during 1985. The Young Gods use classical sampling, noise rhythms, guitar riffs, and drum machines to manufacture an indelible listening experience. An experimental sound influenced by classical compositions and visceral power-punk. Overdriven guitar chords are heavily sampled in “Rue Des Tempétes” with vocalist Franz Treichler providing the lyrical content. Listen for the Parisian beauty of “Charlotte” and “La Fille De La Mort”. “L’Eau Rouge” is a critical album with abrasive and assaultive sound structures.
ARTISTJohn Zorn
ALBUM: Naked City
LABEL
: Nonesuch Records
RELEASED
: February 20, 1990
DURATION: 56:35 – 24 Tracks
Naked City are primarily an avant-jazz thrash-metal band, however, their radical music fuses stylistic boundaries. This legendary debut album from Naked City includes beautiful renditions of “The Sicilian Clan” (Ennio Morricone), “Lonely Woman” (Ornette Coleman), “I Want To Live!” (Johnny Mandell), “The James Bond Theme” (John Barry), “Contempt” (Georges Delerue). Naked City were also known for performing an extensive array of cover songs throughout their live performances worldwide.
AUTHORJohn Zorn & Kazunori SugiyamaTITLE: Eight Million Stories – Naked City Ephemera
LABEL
: Tzadik Records
RELEASED
: February 22, 2005
LENGTH: 130 Pages

Eight Million Stories – Naked City Ephemera is available inside the Naked City Box-Set. This exclusive ephemera contains all Naked City’s original uncensored album artwork, promotional images, live photography, and even the Naked City Scrapbooks illuminating John Zorn’s incredible genre-shifting compositions. This one-hundred and thirty page book includes testimonials where musicians and admirers have reflected on how Naked City’s music has changed their life forever.

DVD REVIEWS

DIRECTOR: Juan Carlos Garcia
FILM: Symphonium Illuminatum
COMPANY
: Pulsar Studios
RELEASED
: 2009
DURATION: 60:00
Symphonium Illuminatum is a sonic exploration of space and time through a visually stunning presentation, and the first live performance of Juan Carlos Garcia beautifully captured on DVD. “Igncion” ignites the beginning of the compositions, featuring dramatic footage of space shuttle launches and famous audio excerpts of moon landings. “Galaxias En Movimiento” takes viewers on an incredible journey through galaxies and nebulas, and inspires awesome wonder at the infinity of the universe. Many more original compositions are showcased from Juan Carlos Garcia, and performed with the innovative and pioneering instrument of his “Mundra Midi Controller”.
DIRECTOR: Shaun Garea
FILM: My Beautiful World
COMPANY
: Estrata Productions
RELEASED
: September 28, 2006
DURATION: 21:19
Shaun Garea’s “My Beautiful World” is an existentialist journey through the chaos of consciousness. Described as a contemporary noir-nightmare, the film focuses on the intellectual mind of Bob portrayed by Kerry Parnell. Thought-provoking themes of individual freedom flutter to the surface during this deeply dark-art indie production. Award-winning filmmaker Shaun Garea is the director, editor, producer, and writer for this ambitious project with a creative cast and crew. The film features an impressive soundscape scored by Flabotonum, Cripple Mr. Onion, Phyllasoma, Colm, Dezmadore, and includes Dalek’s “Ever Somber”. Filmed throughout Christchurch, New Zealand, it debuted at the Dunedin Fringe Festival 2006, and also received recognition at Rialto Cinemas. “My Beautiful World” anticipates an extensive tour of film festivals nationwide and notoriety increasing worldwide. Watch out for reoccurring references to Ipecac Recordings, Neuraska Prodduccións, and Xtreme Music. This film is evidence that Estrata Productions provides an important platform for innovative projects with passion and purpose.
DIRECTOR: Mirko Cocco
FILM: The Clash Of The Cover Bands: The Only Road To Paradiso
COMPANY: Double 2
RELEASED: February 2005
DURATION: 84:03
The Clash Of The Cover Bands is a DVD showcasing the finale of a battle of the bands competition at The Netherlands’ world-famous venue the Paradiso Club. Fake No More won the complete competition and this DVD documents selected footage from each of the battling bands. Fake No More are shown performing two classic Faith No More songs, “Midlife Crisis” and “Epic”. Fake No More’s vocalist even sings lyrics from Junior Senior’s “Move Your Feet”, a tease from House Of Pain’s “Jump Around”, and a soulful rendition of R. Kelly’s “I Believe I Can Fly”, just like Mike Patton did on the Faith No More’s Album Of The Year tour. DVD extras include biographies and interviews in Dutch with all the featured bands, and an exclusive interview with Fake No More’s frontman Steven Tolkamp. A special section includes additional footage with Fake No More performing “Evidence” by Faith No More. The Clash Of The Cover Bands DVD was filmed on January 22, 2005 Amsterdam, Holland, Paradiso.
DIRECTOR: Nao Nakazawa
FILM: Birth Of California Tsugaru Shamisen
COMPANY
: [Independent Release]
RELEASED: 2005DURATION: 41:01

Birth Of California Tsugaru Shamisen is a documentary profiling the incarnation of a new music style spearheaded by Santa Cruz musician Kevin Kmetz. This DVD is presented in Japanese and introduces great
live performances from God Of Shamisen, Estradasphere’s “Turkish Song” and their “Search For Sheriden”, Secret Chiefs 3’s “The Four (The Great Ishraqi Sun)”, Fishtank’s “Bordeas” and “The Last Shamisen Master”. Kevin Kmetz also performs “Greatness” with proficient Shamisen performer Mike Penny, who has developed an original style and chord theory in California Tsugaru Shamisen. Extras include an additional thirty minutes of live video with God Of Shamisen’s “Dragon String Attack!”, Estradasphere’s “Corporate Merger”, Secret Chiefs 3’s “The Three (Afghan Song)”, and a fantastic composition from Fishtank.

DIRECTOR: Ebba Jahn
TITLE: Rising Tones Cross
COMPANY
: FilmPals
RELEASED: April 3, 2005 [Re-released]
DURATION: 111:00
Rising Tones Cross is an intelligent documentary illuminating New York’s avant-jazz scene in the early-1980’s. This jazz film explores complex improvisation through live performances and exclusive interviews. The film features a candid glimpse of John Zorn and Wayne Horvitz performing on a “Sunday Afternoon At Life Cafe”. In addition, Charles Gayle discusses the introspective considerations on musical influences, and Peter Kowald analyses personal performance versus the conceptual values of the avant-garde. Discussion is developed on the racial dynamics between black and white musicians in the new music scene. Important conclusions are also reached on how culturally insignificant jazz music is and whether avant-garde music can be a platform for people’s consciousness. Rising Tones Cross celebrates it’s 20th Anniversary by being re-released on DVD from filmmaker Ebba Jahn.
DIRECTOR: Peter Bolte
TITLE: Oil On Godard
COMPANY
: To
Go Numb Films, LLC

RELEASED
: 2005
DURATION: 1:08
“Oil On Godard” is an animation short dedicated to the legendary filmmaker Jean-Luc Godard, a provocative and prolific visionary known for his unique perspectives on visual representation. Peter Bolte produced a 5″ by 7″ painting and filmed the gradual layering of his creation as it developed. Within one minute there is a time-lapse metamorphosis from a pearl white canvas into a oil painted portrait. The soundtrack to this short film features experimental music composed and performed by Trevor Dunn.
ARTISTSagan
ALBUM: Unseen Forces [DVD & CD]
LABEL
: Vague Terrain
RELEASED
: September 2004
DURATION: DVD: 9 shows and over 6 hours of MP3 music, CD: 52:37 – 12 Tracks
Unseen Forces by Sagan is a DVD and CD set from Matmos‘ label Vague Terrain. A quartet comprised of musicians Blevin Blectum, Jay Lesser, Jon Leidecker and video artist Ryan Junell. Sagan have merged experimental electronic music with dazzling video productions. “Unseen Forces” delivers space-prog music complete with analogue melodies inspired by early 1970s Vangelis records. The hybrid DVD contains an astonishing 9 shows with over 6 hours of MP3 music. A multimedia experience that is humorous, ambitious, and deeply weird.
DIRECTOR: Epi García Ferrero
FILM: Innominat
COMPANY: Neuraska Prodduccións
RELEASED: February 29, 2004
DURATION: 6:47

Innominat is an exceptional animation short that explores the thought-provoking philosophy of existentialism in an ominous world. A bizarrely beautiful tale of Innominat’s introspective journey is complemented by a perfect relationship created between complex music and intense visual imagery. This monochrome production combines an extremely clever musical montage from Type O Negative and Fantômas, produced by Lluis Garcia. The promotional DVD of Innominat also includes a portfolio listing of Neuraska Prodduccións plus an accompanying resumé from film director Epi García Ferrero. Innominat celebrated it’s world premier during the short film showcase at IFCT 2005, the International Festival of Cinema and Technology.

Vinyl Reviews

ARTIST: Martin Denny
ALBUM: Quiet Village [Vinyl LP]LABEL: Liberty Records
RELEASED: 1959
DURATION: 13 Tracks
Quiet Village was the landmark album that signified the arrival of Exotica music in the late-1950’s. The song “Quiet Village” was originally composed by Les Baxter, and popularized by Martin Denny. “Quiet Village” became the Exotica standard that was covered by composers including Don Tiare & The Alohas, and Webley Edwards. Arthur Lyman took this track and renamed it “Taboo Tu”, which has been covered live by Mr. Bungle, and sampled by Gus Gus during their song “Oh (Edit)”.

Live Reviews

DAIQUIRI April 19, 2004 Toronto (ON), Club Rockit.
ELYSIAN FIELDS April 28, 2004 New York (NY), The Tonic.
GOOD FOR COWS July 13, 2004 San Francisco (CA), Bottom Of The Hill.
HEMOPHILIAC December 31, 2003 New York (NY), The Tonic.
HERBIE HANCOCK January 1, 2004 New York (NY), Blue Note.
LOOP!STATION May 30, 2004 San Francisco (CA), Studio Z.
MATMOS June 26, 2004 San Francisco (CA), The Compound.
MIKE PATTON VS. RAHZEL August 30, 2004 London, England, Mean Fiddler.
MOE!KESTRA July 23, 2004 San Francisco (CA), 12 Galaxies.
RICHARD CHEESE June 2, 2004 San Francisco (CA), Red Devil Lounge.
SLEEPYTIME GORILLA MUSEUM August 1, 2003 Oakland (CA), Oakland Metro.
TUB RING April 19, 2004 Toronto (ON), Club Rockit.
WILLIAM WINANT June 25, 2004 San Francisco (CA), RX Gallery.

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