David Ellefson
// Author & Bassist in MegadethDAVID ELLEFSON is an author, bassist, and co-founding member of the GRAMMY-nominated heavy metal band Megadeth, based in Scottsdale, Arizona. Megadeth has sold over twenty million albums and received eleven GRAMMY nominations. David Ellefson is also a recording artist, songwriter, and founder of the worship service MEGA Life! Ministries in Arizona. His book, with Joel McIver, “My Life With Deth: Discovering Meaning In a Life of Rock & Roll” (2013) is available from Howard Books, revealing the behind-the-scenes details of life in one of the world’s most popular heavy metal bands.
Websites: www.davidellefson.com and www.megadeth.com
Photo: David Ellefson
Interview:
Music is really just a reflection of what’s inside of us. This is true in almost any setting or genre. For example, as I read scripture over the years there was always this debate from the Pharisees about eating “unclean” foods, as if what we put into us made us unclean. But, Christ then explains, “It’s not what you put into yourselves that makes you unclean, but rather the evil that comes out of you that makes you unclean.”
The same can be true with our music because it reflects what is inside of us, not the other way around. So, when we hear aggressive, angry music, that is an emotion that must come out of us either through music, exercise, literary, or through our outward actions.
I know for me, playing metal gigs is like going to the gym, it’s a way to release energy. Playing and singing the songs in a high volume setting is a great way to release. I’ve read more than a few interviews with Hard Rock and Heavy Metal drummers where they are asked what they would be doing if they weren’t in a band, to which many respond, “I’d probably be in jail.” I always took this to mean that by pounding out Metal beats on a drum kit helps them get out their aggression in a constructive, rather than a destructive, way.
Further to this, I was a worship leader in church a few years back, and I found that music set the tone for the congregation to have an experience with the Spirit. It was an intentional and methodical way to move people into a time of worship to receive the Word and Sacrament. Which is why the opening songs at modern contemporary churches are usually up beat, followed by the third or fourth song as the mellower introspective songs, designed to bring the room of people into a more reflective period. Clearly, this is a period of time to receive love and be open to forgiveness.
If we write songs of hate we are letting the listener see the hate within us. Negativity is contagious because hate breeds hate. Conversely, if we write songs that are uplifting, we are encouraging the listener and that can have a positive impact on them which can spread out to many more people.
Music in major keys has an uplifting effect on our spirit, too. Especially so, the keys of G, D and C Major. Likewise, minor keys have a melancholy or darker effect on us and impact our moods accordingly.
There is a terrific book written by a Japanese author named Masaru Emoto about the effects of sound on water. Because the human body is something like 80% water, Emoto set out to see how a water crystal changes under a microscope when various sounds and even phrases were spoken to it. Thus, if water changes due to sound, our human bodies and emotions might change due to sound, too.
According to this book, the perfect water molecule is in the shape of what we would refer to as a snowflake, and anytime loud Metal music or harsh words were spoken to the water, the crystals were distorted almost like they were offended and protecting themselves from offense. But, when happy words were spoken, and major keys of music played by speakers surrounding the water, it’s crystals were almost perfect in form. As best I remember, the one spoken word that kept the water crystal in its most perfect shape was the phrase “I Love You.” Presumably, this is how humans respond to each other too.
I would assume bright primary colors would have the same effect in paintings, photography or art too. This is important to note, because it explains why music has such impact on its listener. The notes that we hear have a direct correlation to our body. Likewise, the words we hear impact our soul as well.
It’s interesting to note that the music that first got my attention as a kid was Hard Rock and then Metal music. I say this because I came from a good upbringing, but something inside of me was drawn to loud, aggressive Rock music. It’s like it spoke for me in an area of my life where I felt I needed to speak but couldn’t quite find my voice yet. In effect, music became my voice and my actions became my words. As I became a teenager, the music I liked became harder and louder. From KISS to AC/DC, and then Judas Priest to Motorhead. It’s as if this music tapped into my restless soul and soothed something inside of me in a way nothing else could.
Today as an adult man, when I’m spiritually centered it is difficult to write words or music about chaos or confusion because those things are simply not within me at that time. However, if I’m struggling with something, stronger emotions come out through songs, words, and lyrics.
Musically speaking, just the tone of the instrument I pick up will affect the music I create. Sometimes I’ll be in a happy mood and I pick up an acoustic guitar and upbeat easy songs fall out of me. Other times, I pick up an electric guitar set to a “Metal” tone, and it leads me to write those kind of songs, usually aggressive and rowdy in nature.
That’s why I could never understand musical genres like Christian Death-Metal. To me, those two terms are in conflict with each other. The sensitive nature of a spiritual theme needs to have a softer musical delivery to reach the depth of the soul. Likewise, if you’re singing about politics, horror, and other culturally based topics, the hard impact of Metal music is very useful.
“It’s as if this music tapped into my restless soul and soothed something inside of me in a way nothing else could.”
– David Ellefson, Author & Bassist in Megadeth